We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
ca!
|
{
VICTOR RECORDS Number &
Camp Meeting Band (Gilbert-Muir) Collins and spn i7escliongs Let’s All Go Round to Mary Ann’s Collins and Harlan x ; Camp Meeting Band Medley One-Step (See “Medleys’’) Victor Military Band ?!35384|12/1.25 I Love the Ladies Medley One-Step Victor Military Band
CANADIAN AIRS (For French-Canadian see Victor French Catalog) Land of the Maple (Laurendeau) and Laurentian Echoes—V ictor Orchestra| 16593|10| .75 Maple Leaf Rag—U. S. Marine Band and Wild Cherries Rag—Morton|16792\|10| .75 Canadian National Airs (Contents under “‘Medleys”) Sousa’s
Maple Leaf Forever (Muir) Alan Turner and Male Chorus) |17304|!'9| -75 Canoeing—Idyl (Pryor) Arthur Pryor’s Bene ijaasl lees To Have, To Hold, To Love (Ball) Cornet Solo Bert Brown ;
Canta pe’ me—WNeapolitan Song (Bovio-de Curtis) Enrico Caruso|87092|10/2.00 Can’t You Hear Me Calling, Caroline (Caro Roma) Geo. MacFarlane/60123)10} .75
Can’t You Take It Back and Change It for a Boy dae ‘7447liolezs Hello, Central! Give Me Heaven (Child Ballad) Harlan ‘ Cappa’s Seventh Reg. March (Eddie Quinn) with Drums Pryor’s BY tvosotloreys Skyrocket March (Drum effects) Pryor’s Band .
CAPPER, CHARLES, Whistler—See ‘‘ Whistling Records” CAPPIELLO, MARIA—See “Aida,” ‘“‘Favorita” and “Rigoletto” Capriccio Valse (Waltz Caprice, Op. 7) (Wieniawski) Violin Powell|74173) 121.50
Caprice (Ogarew, Op.51,No.2) Violin Maud Powell|64301! 101.00 Caprice Basque (Sarasate) Violin Mischa Elman|74176}12/ 1.50 Caprice Brilliante (Clarke) Cornet Solo Herbert L. Clarke|31721|12/ 1.00 Caprice Brilliante Cornet Solo Herbert L. cS 5 1211.25 Lasca—Dramatic Recitation (Deprez) Edgar L. Davenport pee : Caprice Espanol (Moszkowski) Pianoforte Charles G. SEL ons 5 1211.25 Lucia Sextette (Transcription) Pianoforte Himmelreich/ |3°223|!2 |: Caprice Viennois (Kreisler) Violin Fritz Kreisler|74197/12 1.50
Capricietto (Mendelssohn-Burmester) Violin Mischa Elman|/64204| 10 1.00 Carceleras—From “Las Hijas del Zebedeo” (Prisoner’s Song)
(Chapi) In Spanish Luisa Tetrazzini|88294| 12 3.00 Carlos—One-Step (Aguirre) Victor Military a 174331100 .75 Spanish Days—Turkey Trot (Aguirre) Victor Military Band a
Carlotta Waltz—Gasparone Dance Time (Milloecker) Pryor’s B|31506|12 1.00 CARMEN (Sung in French unless otherwise noted)
Text by Meilhac and Halévy, founded on Mérimée’s novel. Music by Bizet. First production, Paris, 1875; JLondon, 1878; New York, 1879, with Minnie Hauk. Some notable revivals, 1893, Calvé’s first appearance; 1905, with Caruso; and Hammerstein's revival, 1906, with Bressler-Gianoli and Dalmores.
Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village, is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl, stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and makes her escape. Jose is imprisoned for neglect of duty, but when released follows the gypsy to Pastia’s Inn, where he finds Escamillo, a Toreador, and Zuniga, his captain, both paying court to Carmen. Stung with jealousy he deserts, and follows the band of smugglers Carmen has joined.
The next act shows the smugglers’ camp, and Carmen, already tired of her soldier, welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela arrives with a summons from his dying mother. He goes, but threatens vengeance. In the last act the tragedy occurs, when Jose, half crazed with jealousy, kills Carmen outside the bull ring, where she is awaiting the triumphant Escamillo.
ACT |I—puBtic sQuarE IN SEVILLE
Prelude—La Scala Orch and Scena delle carte (Card Scene) de Casas|62617\10| .75 Prelude—La Scala Orch and Damnation de Faust—Marcia—Sousa’s Band 68052) 12! 1.25 Habanera (Love is Like a Wood Bird) Emma Calvé 88085) 12/3.00 Habanera (Love is Like a Wood Bird) Gerville-Réache 88278, 123.00 Habanera (Love is Like a Wood Bird) Jn Italian Mana Gay 92059 12 3.00