Victor records (Nov 1914)

VICTOR RECORDS 8 Number | = ACT. II—Scene J—1nNTERIOR OF BUTTERFLY’S HOME Un bel divedremo (Some Day He'll Come) Emmy Destinn Un bel divedremo (Some Day He’ll Come) Geraldine Farrar Un bel di vedremo (Some Day) Frances Alda Some Day He'll Come (Un bel divedremo) Jn English Agnes Kimball Oraanoi! (Now, at Last!) (Letter Duet) Farrar and Scotti Sai cos’ ebbe cuore (Do You Know, My Sweet One) Emmy Destinn Sai cos’ ebbe (Do You Know, My Sweet One) Geraldine Farrar Tuttiifior (Duet of the Flowers) Geraldine Farrar-Louise Homer ACT Il—Scene IJ—THE sAME Lo so che alle sue pene (Naught Can Console) Fornia, Martin and Scotti Velodissi? (DidI Not Tell You?) Enrico Caruso and Antonio Scotti Butterfly’'s Death Scene (Finale ultimo) Geraldine Farrar Butterfly’s Death Scene (L'ultima scena) Emmy Destinn Butterfly’s Death Scene—Beloved Idol Jn English and What a Sky—Helena MISCELLANEOUS MME, BUTTERFLY RECORDS Madame Butterfly—Fantasie ‘Cello Victor Sorlin Madame Butterfly—Fantasie Victor Herbert's Orchestra Opening of Opera—** Waiting Music,’’ Act II— Duet, Act I—*‘ Entrance of Butterfly ’—“‘ Love Duet’’ and Finale, Act I Madame Butterfly—Fantasia “Cello (Bourdon) and La Boheme Selection—Vessella’s Italian Band Madame Butterfly Selection Victor Orchestra Madame Butterfly Selection Pryor’s Band Madame Butterfly Selection and Bartered Bride Overture (Smetana) Pryor’s B Madame Butterfly Selection—No. 2 and Tannhduser Sel—Pryor’s Band MADAME SHERRY (Hauerbach-Hoschna) Birth of Passion—Concert Orch and By the Saskatchewan—W eer renrath Every Little Movement—Barbour-Werrenrath and Alma—Barbour-A nthony GEMS FROM “ MADAME SHERRY *’ Victor Light Opera Co *“ Smile She Means for You’’—“‘ Butterfly ’’—“‘ Every Little Movement’’— “Birth of Passion’’—‘“‘ Poor Weak Mortals”—‘‘ Of for an Ocean Sail’’ Love Dance—Intermezzo— Victor Orch and Concertino (Weber) Clarinet Solo Madcap Duchess,:Gems from (Stevens-Herbert) Victor Opera Co Chorus, “‘Hunting’’"—Solo, “Love is a Story That's Old'’—Male ‘Chorus, “Tweedle-Dum and Tweedle-Dee’’—Solo and Chorus, ‘‘ Wingéd Love’’—Finale, “* Love is a Story ” 88468] 12/3.00 88113] 12/3.00 74335) 12|1.50 70054|12|1.25 89014/12/4.00 91084) 10|2.00 87055) 10|2.00 89008|12/4.00 87503|10/3.00 89047|12/4.00 87030|10/2.00 91086|10/2.00 17346]|10| .75 31696 |12/1.00 70055|12|1.25 35353/12/1.25 31631)12|1.00 31697/12|1.00 35148) 12|1.25 35331/12/1.25 17225)10| .75 17224/10} .75 31824] 12/1.00 35182|12)1.25 35336) 12|1.25 Gems from ‘‘When Dreams Come True’’ Victor Light Opera Co? | Madeleine—A Perfect Day (Herbert) Jn English Frances Alda MADEMOISELLE—See “ Mlle.’ Madrigal (From “The Mikado”) (Sullivan) Lyric Cae Martha—Good Night Quartet Lyric Quartet Madrigale—Tes doux Baisers (Chaminade) French Rita Fornia Mad Scene—See “‘ Hamlet”? and “ Lucia” Magdalen at Michael’s Gate (Kingsley-Lehmann) Melba MAGGI, GIUSEPPE, Baritone—See ‘‘Aida,” ‘‘ Forza” and “Tosca” Maggio—Vals (Dufau) Maria Galvany Magic Fire Spell—Walkiire (Wagner) Piano Alfred Griinfeld MAGIC FLUTE (Il Flauto Magico) (Mozart) (Vienna, 1791) (See “‘Victor Book of the Opera”’ We penis illustrated description.) Overture—La Scala Orch and Meistersinger Prelude—La Scala Orchestra Ein Vogelfanger bin ich ja (A Bird Catcher Am 1) Jn German — Otto Goritz La dove prende (Smiles and Tears) J/n Italian Eames and de Gogorza Bei Mannern, welche Lieben pele erales and T ears) German Gadski-Goritz Invocation (Great Isis) (Piano acc.) InItalian Pol Plancgon Invocation (Great Isis) Jn Frenc arcel Journet O Isis und Isiris (Chorus of Priests, ‘‘Grand Isis!*’) In German and Huguenots—Coro di Soldati (Soldiers’ Chorus) Italian—Metropolitan Op Ch Aria della Regina (Air of the Queen) Jn Jtalian Bessie Abott Aria della Regina (Air of the Queen) Jn Italian Maria Galvany Qui sdegno (Within These Sacred Walls) Pianoacc. InItalian Pol Plancon Air du grand Prétre (Within These Sacred Walls) In French Marcel Journet Ah lo so (All Has Vanished) Jn Italian Johanna Gadski Du also bist mein Braiitigam (Dagger! Thou Art My Bridegroom) In German Gadski with Trio Papagena, Parageno Jn German Gadski and Goritz Maid of the Mill, The (Aide-Adams) Reed ee Her Bright Smile Haunts Me Still Van Brunt and Bieling 74385) 12/1.50 17226)10| .75 64288) 10/1.00 88452/12/3.00 88226) 12|3.00 58006) 1 2)1.00 68207 64163 89003 88369) | 2/3.00 85042|12/3.00 64235) 10/1.00 45051/10/1. 88051 3.00 87059 2.00 85077 ON NNNONS SON _ NNON ° S 74266/12|1.50 88254|12/3.00 88441)12/3.00 87510} 10/3.00 16970)|10| .75 = D