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VICTOR RECORDS Number | $) 2 &
lve Night, Good Night (Gardiner-Ball) George Markarans) rm You’re the Best Little Mother God Ever Made — George MacFarlane ae Night, Good Night, Beloved (Pinsuti) Brass puerto 17109110185 Southern Cross (Herbert L. Clarke) Cornet Herbert L. Clarke ; Good Night, Little Girl, Good Night (Macy) George Hamlin'74310|12/1.50
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here Night, Little Girl, Good Night (Hays-Macy) MEPs Wel senettod The Blush Rose ('Cello obb.) Lambert Murphy ; {Good Old Dollar Bill (Mahoney-Morse) Billy Muney} 1631 1|10/@85 Victor Minstrels, No. 16 Victor Minstrel Co = ered Scout—One-Step (Kaufman) Banjo Vess L. Geman 17952110! .85 Universal Fox Trot Banjo Vess L. Ossman ; (econ Step, The (Darewski) Murray Non aaa 17743|10| 85 When We’ve Wound Up the Watch on the Rhine Johnson-Cho :
GORST, CHARLES, Naturalist and Bird Lover
Robin's Return (Fisher) and Spring pale (Orchestra with Bird Voices) Gorst\18019|10| .85
Spring Song (Mendelssohn) and Robin’s Return (Orchestra with Bird Voices) Gorst}18019|10| .85
Songs and Calls of Our Native Birds, No. 3 Charles Gorst
American Robin (2) Killdeer (3) Blue 7a (4) Bluebird (5)
Wood-thrush (6) Yellow-billed Cuckoo (7) Mocking Bird 17735|10| .85 Songs and Calls of Our Native Birds, No. 4 Charles Gorst
Kentucky Cardinal or Redbird (2) Oven-Bird (3) Red-Eyed Vireo (4) Baltimore Oriole (5) Mourning Dove (6) Western Meadow Lark
GOSPEL HYMNS—See “HYMNS”
Gospel Songs, No. 1—Moody and Sankey Hymns Victor Mixed Chorus
35510/12/1.35 Gospel Songs, No. 2—-Billy Sunday Hymns Victor Mixed Chorus
eee: Songs, No.3 (See “Medley No. 6”) Victor Mixed rc
Gospel Songs, No. 4 (See ‘‘Medley No. 6’”) Victor Mixed Cho} 3°6?0|!2|!.99
Go to Sleep, My Baby—See “ Emmett’s Lullaby ”
‘as to Sleep, My Dusky Baby (Dvorak) Kline-Baker-Dunlap Rockin’ Time (Gertrude L. Knox) Kline-Baker-Dunlap
GOTTERDAMMERUNG (Goet’ -ter-daem’-mer-oongk) The Dusk of
the Gods (1876) (Wagner)
’ Music drama in three acts and a prelude. Words and music by Richard Wagner. Wagner began the composition of the music at Lucerne in 1870, and it was completed November 21, 1874. First produced Bayreuth, August 17, 1876, with Materna and Unger. First (Aencatl production at New York, January 25, 1888, with Lehmann, SeidlKrauss, Traubman, Niemann and Fischer. Many notable American productions have been made at the Metropolitan, the latest being February, 1914, with Kurt, Ober and Berger.
The Dusk of the Gods is the last part of the tetralogy. In the prelude we once more see Briinnhilde on the rock, where she had lain during her magic sleep, and where Siegfried had found her and taken her as his bride. The hero, after a brief period of domestic happiness in a cave near-by, decides to leave his bride for awhile and go in search of adventures, giving her the Nibelung’s Ring as a pledge of faith. This ring he had obtained when he slew the dragon Fafner, and as the opera progresses he is doomed to suffer the consequences of the fatal curse, invoked on every possessor of the Ring by Alberich, from whom it was taken by Wotan. (For complete illustrated description see ‘‘ Victrola Book of the Opera’)
GOTTERDAMMERUNG RECORDS
Mime hiess ein miirrischer Zwerg (Mime, Know Thee Then, W Dwarf) (Part 1) and Zu den Wipfeln lauscht’ ich ene ID GuslBarran 55073/12/1.50 Zu den Wipfeln lauscht’ ich (To the Branches Gazed I Aloft) (Part II) and Mime hiess ein miirrischer Zwerg (Erzdahl. des Siegfried) Carl Burrian|55073)12|1.50 Siegfried’s Funeral March and Die Walkiire—Ride of Valkyries Vessella’s Band|35369)|12/1.35
GOTTSCHALK, LOUIS M. (Got’-shalk) (1829-1869) Pioneer American concert pianist and composer. For compositions see -“*Day by Day,” Dying Poet,” “‘Holy Ghost,’ ‘‘Last Hope,” “*Pasquinade”’ and “‘ Softly Now the Light’’
179Y8|10} .85