Victor records (1920)

VICTOR RECORDS | Number | =|2E REITZ, W. H. (Rights) Xylophone and Bell Solos It has always been the impression of the average xylophone player that he alone among instrumental soloists was privileged to “drop’’ notes ad libitum— at least so audiences have come to believe! But Mr. Reitz has shown, in the series of records he has made for the Victor, that accuracy is just as possible in ‘wooden music’’ as with other instruments. The Reitz-Victor xylophone records are the finest ever made anywhere, both in tone and accuracy of playing. Mr. Reitz has /eccammnuuaines played a number of charming selections on the orchestra bells. REITZ For the Reitz records see ‘‘Bell Solos ’’ and ‘‘ Xylophone Solos. Remember Me, Oh Mighty One (Sacred Words to air of “* Soldier’s Farewell’?) (Kinkel) Whitney Brothers Quartet taco 10} .85 Galilee—Gospel Hymn Whitney Brothers Quartet Remembrance of Gatshina—Valse (Andreeff) . Balalaika Orch { On Wings of Song Imperial Russian Balalaika Court Orchestra Reminiscences of Verdi Sousa’s Band Rigoletto, “Della mia incognito,” Act lee —Rigoletto, * “Tutte le feste,”” Act Il —Trovatore, * “Miserere’ ‘—Traviata, * ‘Dell’? invito trascorsas,’’ Act ]— 35230) 12/1.35 Traviata, ‘‘Libiam nei lieti”’ ream o agner—Fantasie on Wagner’s Operas Pryor’s Band. RENAUD, MAURICE, Baritone In French (For list of records, see “‘Famous Artists” in Pink Section) RENARD TRIO— Violin, ’Cello and Pianoforte Spinning Song (Mendelssohn) and Swedish Wedding } Mere ae mene ’s B\35159/12)1.35 ai Without Words (The Cloud) and Berceuse (Godard) ourdon|35155)12|1.35 . \ 18060)10| .85 a endez-vous—Intermezzo (The Trysting Place) (Komzak) Winter Or Hh 17476|10| .85 Wedding of the Rose—Intermezzo (Jessel) Conway’s Band : {Repess Band—March (Chas. S. Sweeley) Conway’s Bengt iseoziGes General Pershing—March (Vandersloot) Victor Band. : Requiem Mass in C Minor Latin Victor Oratorio Lore 55075| 1211.50 { Guide Thou My Steps (From ‘‘The Water Carrier’’) |Werrenrath s Requiem Mass Ingemisco (Sadly Groaning) (Verdi) Latin Caruso|88514)12/1.50 Rest for the Weary (McDonald) Hayden Quartet 16261110| .85 { Shall We Gather at the River (Lowry) Hayden Quartet ‘1 Retour des Promis, Le (BarateauDessauer) Eva Gauthier 694921101 .85 { Viens avec nous, petit (from ‘‘La Vivandiére’’) (Godard) Eva Gauthieey oe Return of Spring (Robert Schumann ) Evan Williams|64217|10)1!.00 Réverie du soir (‘Suite Algérienne’’) Victor Concert beat 356681 1211.35 { Marche Militaire Francaise (Saint-Saéns) Victor Concert Orchestra ; REVIEWS—See “Comic Operas” REVIVAL HYMNS—See “ HYMNS” Revoltosa, La—Por qué de mis ojos (Romance) Spanish Bori-de Seotesla 89127) 12/2.00 Rhapsodie Hongroise—See “Hungarian Rhapsody” Rienzi Overture (Wagner) Arthur Pryor’s pane 1211.35 { Die Walkiire—Magic Fire Scene (Wagner) Vessella’s Band)|25387\!2|'. Rigaudon (Monsigny) Violin Mischa Elman|64201)10}1.00 Rigodon de Dardanus_ (Rameau) YOrchestre sfasoreys ny 672011101 .85 { Isoline Ballet-—Valse (Messager) 1’Orchestre Symphonique du Paris 4 : RIGOLETTO (Rig-oh-let’-toh) (Sung in Italian unless otherwise noted) Opera in three acts; text by Piave, adapted from Hugo's drama Le Roi s’Amuse ; music by Verdi. First produced Venice, 1851 ; London, 1853; Paris, 1857; N. Y., 1857. The scene is laid in Mantua and vicinity in the sixteenth century. The story tells of the gay and unprincipled Duke of Mantua, who is assisted in his crimes by his jester, Rigoletto, a hunchback. The father of one of the Duke's victims is mocked by Rigoletto, and launches upon him a father’s awful curse, which stuns and sobers the jester, as he, too, has a daughter, Gilda, unknown to the court. On his way home Rigoletto meets a professional assassin, Sparafucile, who offers, for a price, to kill any enemy he may have. Jigoletto says he may need him later. The Duke, in the guise