Victor records (Nov 1917)

VICTOR RECORDS Number (Parcarolley wre Hesitation (See “Medley No. 68’’) Military BY 35383 | 1211.25 Passing of Salome—Waltz Hesitation (Joyce) Victor Military Band : Ba hearee Waltz .(Waldteufel) Victor Cr a aeqed Arrah Wanna Medley Victor Dance Orchestra Barcarolle—See also ‘‘Gioconda,” ‘‘Gondolier,’” ‘‘ Masked Ball,” **My Skylark Love,” “‘ Visione Veneziana’”’ and “* William Tell’’ BARITONE SOLOS—See “Amato,” ‘“ Ancona,” “* Battistini,”’ **Campanari,”’ ‘‘ Cartwright,”’ “ de Gogorza,”’ “de Luca, ” * Fvans,”’ ma | Gilibert,”’ oe Gilly, * “Goddard, rie Goritz,” “Hamilton,” “Harrison,’ , ** Hemus,’”’ *Hill,’’ < Howell,” “Janpolski,” ‘Johnson,’ 2 | “Larkin,” ‘‘ MacFarlane,” ‘Renaud, a ‘Rodeheaver,”’ **Ruffo,”’ = Sagi-Barba,” **Sammarco,”’ “Schlegel, ” **Scotti,” ‘* Stuart,”’ ** Turner,” ** Van Eweyk,’’ ** Werrenrath,’’ “‘ Wheeler, Frederick,”’ = Whitehill,” *“Wiederhold,”’ ““Winsch.”? Also several hundred solos | by various baritones to be found under the opera headings. BARN DANCES—See “ pence Records ”’ BARNES, WM., Tenor Girl Who Wests a Red Cross on Her Sleeve and Baby Shoes—Brown|18052|!0| .75 I Love You, That’s One Thing and Always Be Honey to Me—Campbell-Burr|17970\10| .75 My Own lona—with Male Qt. and Jn the Beautiful Seaside Air—Murray|18054|10| .75 Tho’ I’m Not the First to Call You ““Sweetheart’’ Please Let Me Be the Last (with Orpheus Qt) and Where the Black-eyed Susans Grow—Campbell-Burr|18239|10| .75 Barney McGee—Irish Song (Brown) Ada Jones 10! .75 I'm Tying the Leaves so They Won't Come Down (Helf) Harlan 1612 isd Barnyard Serenade _ (with animal imitations) Spencer and aot 10) .75 Buffalo Rag, The (Turpin) Banjo (Piano acc.) Ossman$|167? ‘ BARONE, CLEMENT (Bah-roeh’ -nee)—See ‘‘ Piccolo Solos” BARRERA, CARLO, Tenor—See “Forza del Destino” and “Otello” **Mother Machree” (Rentered Bride Overture (Prodana Nevesta) (Smetana) Pryor’s et 148]|1211.25 Madame Butterfly—Selection (Puccini) ' Pryor’s Band soi05 ; BARTON, WARD—Yodels with Guitar—See ‘‘ Yodel Songs” BASE BALL RECITATIONS—See “Boy in Bleachers” and “‘Casey”’ (East Henry and Lovin’ Lucy—‘‘ Coon” Specialty Jones-Spencer Jimmie and Maggie at Hippodrome— Bowery Dialect — Jones-Spencer BASS AND BASSO-PROFUNDO SONGS—See also ‘‘ Cowles,’’ **‘Journet,”’ “ Plancon’”’ and ‘ ‘Witherspoon”’ |Size do NO 1.25 35013 12|1.25 Armorer'’s Song (‘‘Robin Hood"’) and Till the Sands of the Desert—Glenn| 17268 75 Asleep in the Deep—Glenn and Rocked in Cradle of Deep—Glenn|17309 75 Asleep in the Deep—Hooley and Larboard Watch—Macdonough and Hooley|\16949 75 Auld Lang Syne Frank C. Stanley} 4328 .60 Big Bass Viol—Stanley ana Peerless Qt. and Epitaphs— Golden-Hughes| 16507 75 Down Deep Within the Cellar (Drinking Song) and Monarch of Woods—Glenn|17326 Down Deep Within the Cellar—Stanley and Salt of the Sea for Me—Stanley| 16063 Monarch of the Woods and Down Deep Within the Calare Wilfred Glenn|17326 Off to Philadelphia—Glenn and Wearing of the Green—Hooley| 17348 cae Rocked in Cradle of the Deep—Stanley and Mocking Bird—W heeler and Mac|16392 he Rocked in Cradle of the Deep—Glenn and Asleep in the Deep— Glenn|17309 3 Salt of the Sea for Me—Stanley and Down Deep Within the Cellar—Stanley| 16063 Thursday (Weatherly-Molloy) Glenn and Buck Fanshaw’s Funeral—Humphrey|35296 Till the Sands of the Desert Grow Cold—Turner and Beautiful Isle—Coombs|35259 ONNSSSSSSSSSSSS5 ~SI wm Se wn Wearing of the Green—Hooley and Off to Philadelphia—Glenn 17348 75 BASSOON SOLO (German, “‘Fagott’’) See also ‘‘ Educational Records” Polka F antastique—Carl Borgwald and Soldier’s Dream—Cornet— Matthes|17642)10| .75 (pera La (Cailliet) In French Torcom eer 67537110! .75 Mon Soldat (Payette) In French Torcom Bézazian i BATTAGLIOLI, GIULIA, Soprano—See “ Traviata ”’ BATTIS, WM. STERLING—Dramatic Reader and Character Impersonator William Sterling Battis is justly considered the greatest American interpreter of the writings of Charles Dickens. For the past ten years he has been the star attraction in Lyceum and Chautauqua work, his special feature being the presentation of “‘Life Portrayals” of Dickens’ characters in complete costume, with appropriate monologues arranged from the novel in which each character appears. These impersonations are given with great faithfulness as to voice, dialect and mannerisms, exactly as the great novelist describes them. Mr. Battis possesses a voice of phenomenal range and tone coloring, of great flexibility and power.: