Victor records (Nov 1917)

on) A VICTOR RECORDS Wearing Kilts—Comic Song Number o _ — “A Harry Lauder)|60004| 10 ao Wearing of the Green (See also ‘“Medleys Nos. 24, 25”) McCormack |64258}!0)1 00 Wearing of the Green (Old Irish) William F. Hooley Off to Philadelphia (Old Irish Melody) Wilfred Aa 1734810) .75 WEBER, CARL MARIA (Vay’-ber) Born Eutin, Germany, 1786. Family very musical. Weber taught by mother, opera singer, and father, fine musician. At 10, pupil of Heuschkel and choir boy at Salsburg. Moved Munich, published first composition, set of fugues, then a mass, and at 12 wrote an opera never produced. At 13 his opera Waldmadchen was sung. After further study appointed conductor Breslau Theatre. At 18 Musik-Intendant to Duke of Wurtemberg. After period of fast living was imprisoned and banished for selling court appointment. Went Darmstadt, produced two operas, then after concert tour engaged to reorganize Prague opera. Married Caroline Brandt, WEBER actress. Freischiitz, greatest opera, produced 1821 with immense success. In 1825, although warned pgeinnl English climate, he went to London to produce his operas and died there 1826. “fn spite of early wildness, was afterward model husband and father. Weber considered father of German opera, and was creator of the Romantic school, of which his Freischiitz, 1821, Euryanthe, 1823, and Oberon, 1826, are good examples. RECORDS OF WEBER COMPOSITIONS—See also “‘ Freischiitz”” Concertino-Clarinet Solo—Draper and Love Dance(Madame Sherry) Victor O invitation to the Waltz—DMiuilitary Band Sousa’s Band! beron Overture—Pryor’s Band and Norma Overture—Pryor’s Band Oberon—Ozean! Du Ungeheuer (Ocean, Mighty Monster) Jn German Gadski) Perpetuum Mobile (Perpetual Motion) Pianoforte Wilhelm Bachaus Webster's Reply to Hayne Harry E. ee ates Washington’s Farewell Address (Sept. 19, 1796) Harry E. Humphrey) | Wedding March (Mendelssohn) Pryor’s Band WEDDING MUSIC Bridal Chorus from ‘* Rose Maiden” (Cowen) and Miller’s Wooing—Lyric Qt Lohengrin— Bridal Chorus and Wedding March—See “*‘ Lohengrin”’ Norwegian Wedding March (Grieg) Pianoforte Wilhelm Bachaus Rustic Wedding Symphony—Bridal Song and Serenade—V ictor Orchestra Swedish Wedding March (Soderman) Pryor’s Band and Spinning Song—Songs Without Words (Mendelssohn) _Renard Trio Wedding March (Mendelssohn ) Pryor’s Band Wedding March (Mendelssohn) and Lohengrin—Bridal March—Herbert’s Orch Wedding of Sandy McNab—Scotch Speciaity Harry Lauder OY Sec ae of the Rose—Intermezzo (Léon Jessel) Conway’s pane Rendez-vous—Intermezzo (The Trysting Place) Victor Concert Orch oe of the Sunshine and the Rose pene omak M-o-t-h-e-r (A Word That Means the World to Me) Henry Burr Wedding of the Winds Waltz (Hall) Dance Orchestra iy eens of the Winds Waltz _ (Hall) Pryor’s pang Berceuse (From ‘‘ Jocelyn’’) (Godard) 'Cello Victor Sorlin jacana of the Winds—wWaltz (Hall) Accordion peer Estudiantina Waltz (Emil Waldteufel) Pietro Wedding o’ Lauchie McGraw Harry Lauder Wedding, The (Folk Song) (Uz Mou Milou) /n Bohemian Destinn-Gilly Wee Deoch an’ Doris Harry Lauder Wee Hoose ’Mang the Heather-Scotch Song (Lauder-Wells) Lauder Wee Hoose ’Mang the Heather (Lauder) Harry Lauder Wee Jean MacGregor—Scotch Specialty Harry Lauder peel: Little Drop o’ the Cruiskeen Lawn (Helf) Peerless Ea As Long as the Shamrock Grows Green Walter J. Van Brunt cies nur ich allein § (Riegg) Emil Musebe Es hat nicht sollen sein Emil Muench) {serie Honey, to Your Old Plantation Home Peerless aprtatt Bachelor Days (From ‘‘Ziegfeld Follies, 1916’’) Peerless Quartet 35182 31105 35166 88545 71043 17371 31159 35209 71042 35627 35159 31159 55048 70008 17476 17913 31253 16387 17865 70007 87197 70062 60106 70076 60028 17148 35032 18120 12/1.25 121.00 12/1.25 12/3.00 12|1.50 10) .75 12|1.00 12|1.25 12|1.50 12\1.25 12|1.25 12) 1.00 12|1.50 12) 1.25 10) .75 10| .75 12) 1.00 10) .75 10| .75 12) 1.25 10|2.00 12)1.25 10) .75 12)1.25 10) .75 10} .75 12) 1.25 10) .75