Victor records (Nov 1915)

Ca VICTOR RECORDS Number | = CAMPAIGN SPEECHES—See “Political,” “Bryan,” ‘‘ Clark,” ‘‘Taft’’ CAMPANARI, GIUSEPPE, Baritone—See “Carmen” Campanella (Paganini-Liszt) Pianoforte Ignace Paderewski|88401|12/3.00 CAMPBELL-BURR DUETS—See “Duets, Vocal ”’ Campbells Are Coming—See “‘Medleys, Vocal” Camp Meeting Band (Gilbert-Muir) Collins and Harlan Let’s All Go Round to Mary Ann’s Collins and Harlan Camp Meeting Band Medley One-Step (See “Medleys”) Victor Military Band ?/35384|12/1.25 I Love the Ladies Medley One-Step Victor Military Band CANADIAN AIRS (For French-Canadian see Victor French Catalog) Land of the Maple (Laurendeau) and Laurentian Echoes—Victor Orchestraj}16593|10| .75 Maple Leaf Forever—Turner-Chorus and Canadian National Airs—Sousa’s B}17304|10} .75 Maple Leaf Rag—U. S. Marine Band and Wild Cherries Rag—Morton\16792|10| .75 National Airs (See ‘‘ Medleys’’) Sousa’s B and Maple Leaf Forever—Turner|17304|10! .75 CANARY, SONG OF—See “Bird Song Records ” eer y, (Pryor) Arthur Prvor’s pang 101 .75 To Have, To Hold, To Love (Ball) Cornet Solo Bert Brown) |17382|'| Canta pe’ me—WNeapolitan Song (Bovio-de Curtis) Enrico Caruso|87092!10/2.00 Canto Amoroso—Liebeslied (Sammartini) Violin Mischa Elman|}74392/12}1.50 \ 17537|10) .75 Canto del Presidiario, El Jn Spanish Emilio de Gogorza|74042| 12]1.50 Can’t You Hear Me Calling, Caroline (Caro Roma) MacFarlane|60123}10} .75 ans You Take It Back and Change It for a Boy Bee 101 .75 Hello, Central! Give Me Heaven (Child Ballad) Harlan§|17447 ; { Capitan March, El (Sousa) Sousa’s Band 101 .75 . Washington Post March Sousa’s Band |*7392|'9| (eePere Seventh Reg. March (Eddie Quinn) with Drums Pryor’s Bh 10! .75 Skyrocket March (Drum effects) Pryor’s Band ee : CAPPER, CHARLES, Whistler—See “ Whistling Records” CAPPIELLO, MARIA—See “Aida,” ‘‘Favorita” and “Rigoletto” Capriccio Valse (Waltz Caprice, Op. 7) (Wieniawski) Violin Powell|74173)12/1.50 Caprice (Ogarew, Op. 51, No.2) Violin Maud Powell|64301]10}1.00 Caprice Basque (Sarasate) Violin Mischa Elman}74176]12/|1.50 {Caplice Brilliante Cornet Solo Herbert L. aed Lasca—Dramatic Recitation (Deprez) Edgar L. Davenport 35090) 12)1-25 ereene Espanol (Moszkowski) Pianoforte Charles G. Spporst Lucia Sextette (Transcription) Pianoforte Himmelreich}|>>-7> 12)1.25 Caprice Viennois (Kreisler) Violin Fritz Kreisler|74197/12/1.50 Capricietto (Mendelssohn-Burmester) Violin Mischa Elman/64204!10/1.00 Carillon de Cythére, Le (Chimes of Cythera) Pianoforte Paderewski|88492|12/3.00 Carillon (Elgar) (Part I) (Recitation, “Sing, Belgians” by H. Ainley) Symphony Orchestra ?|55050)12/ 1.50 Carillon (Edward Elgar) (Part II) The Symphony Orchestra {Secretaria (Aguirre) Victor Military pana 17433|10| .75 Spanish Days—Turkey Trot (Aguirre) Victor Military Band ; CARMEN (Sung in French unless otherwise noted) Text by Meilhac and Halévy, founded on Mérimée’s novel. Music by Bizet. First production, Paris, 1875; Jondon, 1878; New York, 1879, with Minnie Hauk. Some notable revivals, 1893, Calvé’s first appearance; 1905, with Caruso; and Hammerstein's revival, 1906, with Bressler-Gianoli and Dalmores. Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village, is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl, stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and makes her escape. Jose is imprisoned for neglect of duty, but when released follows the gypsy to Pastia’s Inn, where he finds E'scamillo, a Toreador, and Zuniga, his captain, both paying court to Carmen. Stung with jealousy he deserts, and follows the band of smugglers Carmen has joined. The next act shows the smugglers’ camp, and Carmen, already tired of her soldier, welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela