Victor records (Nov 1915)

VICTOR RECORDS Number = FAVORITA, ACT II[—Continued O mio Fernando (Oh, my Ferdinand) Matzenauer|88363} 12 3.00 Orsi, Fernando (Stay! Hear Me, Ferdinand!) Cappiello, Acerbi and Cigada a and Pietoso al par d’un Nume (Mercifulas God) Esposito and Martinez-Pattii62659|10) .75 —— ACT IV—cLoIsTers OF THE MONASTERY Splendoun pit belle (In Heavenly Splendor) deSegurola and Chorus and Manon—Et je sais votre nom (Massenet) In French—Korsoff and Beyle|\16551/10| .75 Splendon pia belle—de Luna and Chorus and Vien Leonora—Cigada|\68061| 12) 1.25 Splendon pit belle Journet and Metropolitan Opera Chorus|74273} 12) 1.50 Spirto gentil (Spirit So Fair) Enrico Caruso|/88004| | 2/3.00 Spirto gentil (Spirit So Fair) Gennaro de Tura/76012|12/2.00 Spirit So Fair (Spirto gentil) Jn English Evan Williams|74141|12/1.50 Pietoso al par d'un Nume (As Merciful as God) Esposito, Martinez-Patti and Orsd, Fernando (Hear Me, Ferdinand!) CappielloA cerbi-Cigada|\62659|10| .75 feovenrs Hornpipe Medley Violin (See “‘ Medleys’’) Uiareee Medley of Old Time Reels Violin Charles D’ Almaine|1®393|'9| -7° FEDERICI, F., Tenor—See ‘“‘ Manon,” “‘ Pearl Fishers” and ‘‘ Rigoletto” ‘cu Gavotte (F. J. Lapitino) with Celesta | Neapolitan es Idyll (Idilio) (Theo. Lack) with Bells (Opus 134) Neapolitan Trio Cia ‘eee Diaz March (Presa) Police Band of eee f Light Cavalry Overture (Suppé) SorsarseBends eon she as ae cceeen Overture (Mill on the Cliff) (Reissiger) Pryor’s Bt Glow-worm—Intermezzo (Lincke) Pryor’s Band pou Lolz ce FENCING MASTER (de Koven) (See “Ah, Yes I Love You’) Fenesta che lucive—The Shining Window—Neapolitan Song Caruso/88439)12/3.00 Festival Te Deum (No. 7, in E flat) (Dudley Buck) Trinity Choir|31781/12/1.00 Feuerzauber—See ‘‘ Magic Fire Spell”’ Fiddle andi (Goodeve) Alma Gluck and Efrem Zimbalist/88539} 12) 3.00 Fidelio—Ha! welch ein Augenblick (Fateful Moment) (Beethoven) Jn German Otto Goritz|64165/10|1.00 (alec aLeonere Overture, No.3 (Part I) Victor Concert Or Fidelio—Leonore Overture, No. 3 (Part IT) Victor Concert Orch} ee ce eidabor,Leonore Overture, No. 3 (Part III) Victor Concert or Adagio from Fourth Symphony (Beethoven) Ueeelide Band wbeecnloal ae es is a Hot Dog Now (McCarron-Grey-Walker) Murray Aba Daba Honeymoon (Fields-Donovan) Collins and Harlani|1°2°\)| -7 FIELD, EUGENE Settings of his Poems—See ‘Educational Records,” also “‘ Little Boy Blue” and “* Wynken, Blynken and Nod”’ FIELD MUSIC—FIFE—See ‘Drum, Fife and Bugle Corps’’ FIELDS, ARTHUR, Tenor—See ‘‘Along Came Ruth”’ | hae Nocturne (Leybach) Violin Howard Ry Angel’s Serenade (Braga) Véiolin-’Cello Rattay and Heine eA LC ONE? Fifth Symphony—See ‘“‘ Symphonies ”’ pci Nocturne (Leybach, Op. 52) Florentine aereet Shepherd Boy, The (G. D. Wilson) Venetian Trioklneo ote FIGLIA DEL REGGIMENTO—See “Daughter of the Regiment’’ ave de Mme. Angot, La—Fantaisie (Lecocq) Musique ae Fille du Tambour Major, La—Fantaisie (Offenbach) Musique Militaire 65456/10) .75 Finale from E minor Concerto (Mendelssohn) Violin Powell)74026/12 1.50 Finale from Second Concerto (Op. 22) Pianoforte by G. Lapierre (Wieniawski) Violin Jan Kubelik/ 74370) 12 1.50 FINNEGAN, JOHN, Tenor-—See ‘“‘Stabat Mater” piaora ee WVallts Hesitation (James R. Europe) Victor Military at i772aO LTS Valse Marie—Hesitation (Harry Israel) Victor Military Band ; Firefly, My Pretty Firefly (Murphy-Glogau-Piantadosi) Peerless Quartet 17836|10) .75 Come Back, Dixie (Mahoney-Wenrich) Peerless Quartet (Firefly, The—Sympathy (Hauerbach) Clark and Van Brunt} 17270 10| .75 My Little Persian Rose (Woolf-Friedland) ‘‘That Girl’’ Quartet * peer Waltzes (From “The Firefly”) Victor Concert Orch\ 55978 1211.25 When a Maid Comes a Knocking (‘‘Firefly’’) Olive Kline BS