Victor records (Nov 1915)

VICTOR RECORDS | Sumber £3 emer, Down South (Fairman) Hadelberg Quintette} a My Bombay Maid (Reed-Williams) ** That Girl’ Quartet L713 uy 4 ey Down South—A Plantation Idy! Banjo Vess L. vaemany Kentucky Kut-ups—March_ (Frantzen) Pryor’s Band 16755 10 79 Wearing Kilts—Comic Song Harry Caudér| 60004 10; .75 Wearing of the Green (See also ‘‘ Medleys, Vocal” ) McCormack’ 64258 10 1.00 oan of the Green (Old Irish) William F. Healey Off to Philadelphia (Old Irish Melody) Wilfred Glenn! 1734810, .75 WEBER, CARL MARIA (Vay’-ber) Born Eutin, Germany, 1786. Family very musical. Weber taught by mother, opera singer, and father, fine musician. At 10, pupil of Heuschkel and choir boy at Salsburg. Moved Munich, published first composition, set of fugues, then a mass, and at 12 wrote an opera never produced. At 13 his opera Waldmadchen was sung. After further study appointed conductor Breslau Theatre. At 18 Musik-Intendant to Duke of Wurtemberg. After period of fast living was imprisoned and banished for selling court appointment. Went Darmstadt, produced two operas, then after concert tour engaged to reorganize Prague opera. Married Caroline Brandt, Mba bee actress. Freischtitz, greatest opera, produced 1821 with immense success. In 1825, although warned against English climate, he went to London to produce his operas and died there 1826. In spite of early wildness, was afterward model husband and father. Weber considered father of German opera, and was creator of the Romantic school, of which his Freischiitz, 1821, Euryanthe, 1823, and Oberon, 1826, are good examples. RECORDS OF WEBER COMPOSITIONS—See also “ Freischiitz"’ Concertino-Clarinet Solo—Draper and Love Dance (Madame Sherry) Victor O|\35182)12\1.25 Invitation to the Waltz—DMiuilitary Band Sousa’s Band/31105/12/1.00 Oberon Overture—Pryor’s Band and Norma Overture—Pryor’s Band|\35166|12)|1.25 Oberon—Ozean! Du Ungeheuer (Ocean Thou Mighty Monster) German Gadski|88495)12|3.00 Perpetuum Mobile (Perpetual Motion) Pianoforte Wilhelm Bachaus!|71043} 12) 1.50 Seen Reply to Hayne Harry E. aA ee iio W ashington’s Farewell Address (Sept. 19, 1796) Harry E. Humphrey ; Wedding March (Mendeissohn) . Pryor’s Band/|31159}12/|1.00 WEDDING MUSIC Bridal Chorus from ‘“*‘ Rose Maiden’ (Cowen) and Miller’ s W ooing—Lyric Qt}35209]12/1.25 Lohengrin— Bridal Chorus and Wedding March—See “* Lohengrin”’ Norwegian Wedding March (Grieg) Pianoforte Wilhelm Bachaus| 71042} 12/|1.50 Swedish Wedding March (Soderman) Pryor’s Band and Spinning Deri Ee Without Words (Mendelssohn) Renard Trio|\35159}12)1.25 Wedding March (Mendelssohn) Pryor’s Band|31159/12/1.00 Wedding March (Mendelssohn) and Lohengrin—Bridal March—Herbert’s Orch| 55048} 12|1.50 Wedding of Sandy McNab— Scotch Specialty Harry Lauder/ 70008) 12)1.25 ecm of the Rose—Intermezzo (Léon Jessel) Conway’s a4 i7avalioners Rendez-vous—Intermezzo (The Trysting Place) Victor Concert Orch : Wedding of the Winds Waltz (Hall) Dance Orchestra|31253}12/1.00 iedseee of the Winds Waltz (Hall) Pryor’s Pare 1asavhioh 75 Berceuse (From ‘‘ Jocelyn’’) (Godard) ’Cello Victor Sorlin ‘ Wedding o’ Lauchie McGraw Harry Lauder!70007|12/1.25 } Wedding, The (Folk Song) (Uz Mou Milou) /n Bohemian | Destinn-Gilly|87197)10|2.00 Wee Deoch an’ Doris Harry Lauder) 70062) 12)1.25 Wee Hoose Mang the Heather-Scotch Song (Lauder-Well!s) Lauder|60106/10 .75 Wee Hoose ’Mang the Heather (Lauder) Harry Lauder|70076|12)1.25 Wee Jean MacGregor—Scotch Specialty Harry Lauder|60028)10) .75 Wee Little Drop o’ the Cruiskeen Lawn (Helf) Peerless Or} 148|101 .75 { As Long as the Shamrock Grows Green Walter J]. Van Brunt a i WEINER TRIO—Violin, Harp, Harmonica Fritzi— Mazurka and Mandlmarsch— Weiner Trio|\67292 “i tie Mandlmarsch and Fritzi—Mazurka— Weiner Trio|67292