Victor records (Nov 1916)

; ORPHEUS QUARTET—Male Voices ORGAN RECORDS—Continued It is now more than two hundred years since the first pipe organ was installed in a Boston church. It was a very crude affair, called by someone a “box of whistles,” and much opposition was aroused, the organ being considered a device of the devil! It is a long step from the little Brattle Square Church organ to the complex modern instrument, with its hundreds of pipes of all dimensions and its pneumatic and electric actions, so sensitive that a breadth of air will almost suffice to depress a key. The Estey Pipe Organ was used in these experiments through the kindness of the makers. Both selections were rendered on the same instrument, the ‘‘ Funeral March” being played by Richard K. Biggs, organist of St. Luke’s Episcopal Church, Brooklyn, in the usual manner, using the organ keys; and the “Hallelujah Chorus” rendered. by Mr. McAIl, who uses the Estey Automatic device. The Victor is sure its customers will enjoy these beautiful reproductions of the pipe organ, and hopes to offer other records in a short time. ORGAN RECORDS Funeral March (Chopin) (Estey Pipe Organ) Richard K. Biggs and Hallelujah Chorus (‘The Messiah”) (Handel) (Automatic Estey Pipe Organ) Reginald L. McA1l\35547/|12/1.25 Orientale (No. 9 of a series of 24 pieces called ‘‘Kaléidoscope,” Op. 50) (Cesar Cui) Violin Efrem Zimbalist|64261)|10/1.00 oe (Cui) (Kaléidoscope) “Cello with Orch Beatrice eee 450661 1011.00 Liebesfreud (Kreisler) Violoncello with Orchestra Beatrice Harrison z fori Cohens—Hebrew Specialty Jones and Peer 16110|10| .75 Moving Day Arthur Collins : ene Fox Trot (Klickmann) Banjo-Piano-Drums (See “‘ Medley 17677|10! .75 No. 163”) Van Eps Trio That Moaning Saxophone Rag Brown Bros. Saxophone Sextette ORPHEUS CHORUS of Sweden—See “ Kan det troste ”’ Orpheus in Hades Overture (Orfée aux Enfers) Pryor’s Bends 35215|1211.25 Forza del Destino Overture (Verdi) Pryor’s Band ; Blow, Trumpet for the World is White with May (with Brass Qt) and Berceuse from Jocelyn— Women’s Trio|35581|12)1.25 Fair Harvard (Unacc.) and Johnny Harvard (University Songs) Orpheus Qt}17413}10} .75 Ho! Jolly Jenkin ! (Schnecker-Sullivan) and The Long Day Closes— Orpheus Qt}17053) 10} .75 If All My Dreams Were Made of Gold and When] Was 2] and You 16—Am. Qt)17057|10) .75 johnny Harvard (Unacc.) and Fair Harvard (University Songs) Orpheus Qt|17413)10| .75 etter That Never Reached Home—Macdonough and Orpheus Qt and I've Lost You—Burr|18030| 10} .75 Long Day Closes (Chorley-Sullivan) and Ho! Jolly Jenkin !— Orpheus Qt\17053)|10} .75 Lovely Night , (Chwatal) (Unacc.) and More and More—Orpheus Quartet|16902|10} .75 Molly Dear, It's You l’m After and Along the Rocky Road—American Quartet|17900/10| .75 More and More (Elson-Seifert) (Unacc.) and Lovely Night—Orpheus Qt|16902|10| .75 She Sang ‘‘Aloha” to Me—Dixon-Orpheus Qt and Fair Hawaii—Brown-Reed|18032|10} .75 Sing Me the Rosary. (The Sweetest Song of All) and Dear Rose— Quartet|17467|10} .75 Stein Song, A (Bullard) and Swing Along—Orpheus Quartet|17899}10| .75 Swing Along (Cook) and A Stein Song—Orpheus Quartet}17899)| 10} .75 Tramp, Tramp, Tramp (Root) Whitehill and Orpheus Quartet/64608|10/1.00 Turn Back the Universe—Macdonough-Orpheus Qt and She is the Sunshine of Virginia—Campbell-Burr|18112)|10| .75 {2 Salutaris (Lefebure) Jn Latin Georges pata Ave Maria (Gounod) In Latin Mons. Leon Beyle 35407 12/1.25 O sole mio (My Sunshine) (Capurro-di Capura) Jn Italian Caruso/87243)10|2.00 O sole mio—Neapolitan Folk Song (di Capua) Jtalian de Gogorza|64136/10/!.00 O sole mio—Neapolitan Folk Song (Jn Italian) Emilio de Gogorza|74105|12/|1.50 Ae sole mio (diCapua) Véiolin-Flute-Harp Neapolitan ius! Addio a Napoli (Farewell to Naples) Neapolitan Trio UTTBT AO} 73 ic sole mio (di Capua) Neapolitan Song Cornet Michele None Funiculi-Funicula—Neapolitan Air (Denza) Vessella’s Italian Band 16899)10) .75 sole mio (My Sunshine) (di Capua) Jn English Alan ea La Paloma (The Dove) (Yradier) In English Alan'Tatnert\t oe? LO ede OSSMAN, VESS L., Banjoist—See “‘ Banjo Records” |