Victor records (Nov 1913)

VICTOR RECORDS | Number 3 Price AFRICANA—Continued. ACT IIl—rue peck oF DON PEDRO’S SHIP Prelude—La Scala Orchestra and Dio che la terra venera—La Scala Chorus 62614| 10] . Adamastor, ré dell’ onde profende (Adamastor, Ruler of Ocean) Sammarco 88310 12)3.00 Adamastor, re dell’onde—Cigada and _ Sei l’angiol—Farelli-Martinez-Patti 62407 10 ACT [V—exTeErRIOR OF A TEMPLE IN INDIA Marche Indienne (Indian March) Victor Herbert’s Orchestra 70068) 12:1.25 Marcia Indiana—La Scala Orch and Traviata—Prelude—La Scala Orchestra 68027 12)1.25 O Paradiso (Oh Paradise!) Florencio Constantino 74085 12)1.50 O Paradiso (Qh Paradise!) Enrico Caruso 88054! |2/3.00 O Paradiso (Oh, Paradise !) Lambert Murphy|70100)12|1.25 h Paradise! (O Paradiso!) In English Evan Williams 74148) 12)1.50 iyo 400, The (Roberts) Pryor’s Band| jetaatiol 75 Portly Major March, The (Rolfe) Victor Orchestras : vai Sunset—Melody (Pryor) Pryor’s Band 35021\1211.25 When Life is Brightest (Pinsuti) Violin-Flute Rattay and Lyons ; NORE (Lemon-Mullen) Frank Coombs 17175| 10! .75 By the Old Cathedral Door (Lamb-Solman) Peerless Quartet g Afton Water (Burns-Spilman) (Scotch) Herbert Witherspoon|64108)|10)1.00 Agnus Dei (Lamb of God) (Bizet) Jn Latin Schumann-Heink 88416 123.00 Agnus Dei (Lamb of God) (Bizet) Jn Latin Enrico Caruso 88425) 12/3.00 A Granada (To Granada!) (Alvarez) Jn Spanish de Gogorza|74209|12/1.50 eee Cupid (From “Prince Ananias”) (Herbert) Cornet Cp ae 16296|10| .75 Birds in the Forest (Strange) Véiolins-Flute Rattay-Levy-Lyons ‘ Ah, fors e lui—Traviata—See “ Traviata” Ah, Love, but a Day (Browning-Protheroe) Evan Williams/64327|16'1.00 Ah! Moon of My Delight (From “In a Persian Garden’’) (Khayyam-Lehmann) In English John McCormack!74232)| 121.50 ia Yes, I Love You (‘Fencing Master’?) Mr.-Mrs. Wheeler| 35192112'1.25 Answer (Robyn) ** That Girl’? Quartetf ; AIDA (Ah-ee’-dah) (All records are in Italian unless otherwise noted ) Opera in four acts. Text translated from Locle by Ghislanzoni; music by Verdi. First produced in Cairo, 1871; Milan, 1872; Paris, 1876; London, 1876; N. Y., 1873. Aida, daughter of Amonasro, King of Ethiopia, has been captured by the Egyptians and is a slave at Memphis, where she and the young soldier Rhadames, have fallen in love with each other. Rhadames goes to the Egyptian war, and during his absence the King’s daughter, Amneris, discovers the attachment and is furious, as she herself loves Rhadames. Rhadames returns, covered with glory and bringing many prisoners, among them Amonasro, Aida’s father. The King releases all the prisoners except Amonasro, and bestows his daughter on the unwilling Rhadames. In the next scene Amonasro forces his daughter to persuade Rhadames to become a traitor.. The latter’s love for Aida and his distaste for the approaching union with Amneris lead him'to consent. Amneris, however, has overheard the plot, and after vainly trying to induce Rhadames to abandon Aida, in a jealous rage she denounces him as a traitor, and he is condemned to be buried alive. When the vault is sealed he discovers Aida, who has concealed herself there that she might die with him, and the lovers slowly suffocate. ACT ]—paLacer OF THE KING AT MEMPHIS Celeste Aida (Heavenly Aida!) Enrico Caruso|88127 Holde Aida (Celeste Aida) (Heavenly Aida) Jn German Leo Slezak 64113 Ohimé di guerra fremere (The Cry of War) Ruszcowska-de Casas-Cunego 88261) Su del Nilo (Nilus’ Sacred Shores) Ruszcowska, Cappiello, Tapergi and Davi 88266 Ritorna vincitor (Return Victorious! ) Johanna Gadski|88137| I sacrinomi (The Sacred Names) Celestina Boninsegna 88223 Nume custode e vindice (Guardian and Avenger) Paoli, Segurola and Cho|88268 ACT II—room IN THE APARTMENTS OF AMNERIS Chi mai fra (His Glory Now Praise) Cappiello and Chorus and O tu che sei d’Osiride—Cappiello and Chorus 55005 | Fu la sorte dell’ armi (‘Neath the Chances of Battle) Gadski and Homer 89024 | Fu la sorte dell’armi (‘Neath the Chances of Battle) Ruszcowska-de Casas 88262 | ow Alla pompa, che s’appreste (In the Pageant) Gadski and Homer)|89025) Ebben, qual nuovo fremito (What New Alarm ?) Ruszcowska-de Casas|88263 | Scene II— Without the City Walls Grand March and Rondo Capriccioso— Vessella’s Band'35265 | Quest’ assisa ch’io vesto (This Dress) Fabris-de Casas-Cunego-Badini|88264 | Finale Acct Il Pryor’s Orchestra|31359 | oon SsS88s Con~ oo