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VICTOR RECORDS Number 3 Price Hungarian Rhapsody, No. 2, Part I (Liszt) Pryor’s Band/31400 12/1.00 Hungarian Rhapsody, No. 2, Part II (Liszt) Pryor’s Band /31401)12/1.00 Hungarian Rhapsody, No. 2, Part I (Liszt) Pryor’s Band Hungarian Rhapsody, No. 2, Part II (Liszt) Pryor’s Bond 35122)12/1.25 Hungarian Rhapsody, No. 9—Finale (Carnaval de Pesth) Pryor’s B)31752/12)1.00 Hungarian Rhapsody, No. 12 (Liszt) Pryor’s Band 31812 12)1.00 Hunter’s Farewell (Mendelssohn) Victor Brass Quartet Vacant Chair, The—Paraphrase (Root-Rogers) Victor Orit Ae rer Oi Hunt in the Black Forest (Voelker) Descriptive Victor Orch/31645 12|1.00 Day breaks—Birds sing—Cock crows—Huntsman’s horn— Village chimes —The hunters assemble—They start—Full gallop—Horns sound halt— At the blacksmith’s—The smith at work—They start again—Hounds scent the game—In full cry—Game run to earth—Cheers— Finale Hush, Don’t Wake the Baby Soprano Yodel May McDonald Roll On, Silver Moon Soprano Yodel May NMcDnaldy SEO SSE!
Hymn of Praise—I Waited for the Lord Gluck and Homer'88375 12/3.00 HY MNS—Standard and Revival
The extensive list of sacred music which the Victor has issued during the past few years has perhaps attracted more attention than any other single feature. This splendid catalogue of standard and gospel hymns, anthems and oratorio numbers is certain to have a powerful influence for good, not only in the homes of the serious-minded owners of Victors, but as a means of improving the quality of the music in small churches, where a competent choir is out of the question, The Victor’s sacred records are capable of filling admirably the place of a choir, and this form of service is much to be preferred to the average small choir, which sometimes inspires feelings the reverse of devout !
Victors are being utilized more and more in small communities in place of a precentor, and no better method of leading congregational singing could be imagined, while in the family circle a collection of hymns and other sacred music is indispensable for Sunday use.
NOTE.—This list contains hymns only. For other sacred numbers, such as “‘Holy City,’’ ‘‘Palms,”’ “* Face to Face”’ and songs of that class, also Anthems and Masses for church use, see Sacred Songs. For Oratorio numbers see titles of Oratorios. For Negro Revival Hymns see Fisk Jubilee Quartet. For Masonic and Modern Woodmen Hymns see “‘ Masonic Records’’ and ““ Modern Woodmen.”’ The letters opposite the hymn titles indicate that they may be found in the following standard hymnals and gospel hymn collections: (M) Methodist Hymnal; (P) Presbyterian Hymnal; (B) Baptist Hymnal; (E) Protestant Episcopal; (G) Gospel Hymns, | to6; (R) Revival Hymns—used by Torrey and Alexander.
Abide with Me—For several records see “Abide with Me”’
Adeste Fidelis (M)(P)(E) Westminster Chimes and Lead Kindly Light and Nearer My God to Thee—Chimes| 16053 10) .75
Adeste Fidelis (with Chimes) Christmas Hymn—Tninity Choir and Joy to the World—Christmas Hymn (Watts-Handel) Trinity Choir, 16996 10) .75 Adeste Fidelis—Hayden Qt and Home Over There—Macdon and Hayden Qt\16197,10) .75 All Hail the Power of Jesus’ Name (G)(R)(M)(P)(E)(B) and Doxology (P)(B)(G)(R)(M) TrinityChoir and Sanctus from Messe Solennelle—Choir|35110 12/1.25 All the Way My Saviour Leads (G)(B) Macdonough
and He Will Hold Me Fast—Hayden Quartet}16239 10) .75 Almost Persuaded (Bliss) and Shall We Meet Beyond the River—Mac-Hemus 17356 10) .75 Along the River of Time (G) Metropolitan Trio
and More Love To Thee—Reinald Werrenrath and Harry Macdonough 16348 10) .75
Asleep in Jesus—Lyric Quartet_ and Only Waiting (Sacred) Fred Wheeler|\17389 10) .75 Autumn—Saviour, Breathe an Evening Blessing (Von Esch) Trinity Choir
and God is Love (Shelley) Lyric Quartet\17096 10) .75
Beautiful Isle of Somewhere—Jarvis and Christ Arose—Hayden Quartet}16008 10} .75
Beautiful Isle of Somewhere (Fearis) John Barnes Wells
and Dear Lord and Father—Mr. and Mrs. Wheeler|16700 10) .75
Beautiful Valley of Eden (G) Mr.-Mrs. Wheeler and New Born King—Hill 16563 10) .75
Beulah Land (G) (Sweeney) Hayden Qt and Vesper Service—Hayden Qt}16166 10) .75 Beyond the Smiling and the Weeping (G)(M) Peerless Quartet |
and Softly Now the Light of Day—Mr. and Mrs. Wheeler\16500 10) .75
Blest Be the Tie that Binds (G)(M)(B)(E)(P) _ Trinity Choir |
and Jesus Christ is Risen To-Day— Hayden Quartet 16178 10) .75
Bye and Bye—Anthony-Harrison and Jesus, Meek and Gentle—Trinity Choir|17144 10) .75
Child of a King (G) E. Wheeler and Abide With Me—Richard Jose|16660 10) .75
Christ Arose (G)(R) (Lowry) Hayden Qt and Beautiful Isle of Somewhere—Jarvis 16008~10) .75
Christ Receiveth Sinful Men (G)(P)(E) Hayden Qt and God is a Spirit—Lyric Qt}16038 10| .75
Close to Thee (Crosby-Vail) Anthony and Harrison
and Looking This Way (Vande Veter) Anthony and Harrison 17024 10) .75
y C Thou Almighty King (G)(R)(M)(P)(E)(B) Trinity Choir Rae ter 4.38 and Jerusalem the Golden— Trinity Choir.16135 10° .75