Victor records (Nov 1913)

| Number || © | Price | ea: VICTOR RECORDS _ et to Verdi, and included songs as well as airs from operas. The singer was received se each group with very warm applause from a large audience.” Sammarco’s operatic repertoire is most extensive; among the roles which he sings may be mentioned Falstaff, Iago, Rigoletto, Amonasro, Scarpia, Sharpless, Marcel, Jack Rance, Figaro and Germont. He has also made a notable success as Alvarado in Victor Herbert’s grand opera, Natoma. The records which we issue here are perfect specimens of the artist’s singing, all the roundness of tone, the volume, the perfect phrasing and technique for celebrated being perfectly reproduced. SAMMARCO RECORDS (Sung in Italian) Africana—Adamastor, ré dell’ onde (Adamastor, Ruler of Ocean) Boheme—Ah ! mimi, tu piu (Ah Mimi, False One!) with McCormack Li Marinari (The Mariners) Duet with John McCormack Rossini Pescatori di Perle—Del tempio al limitar—with John McCormack Bizet Rigoletto—Pari siamo (We Are Equal) Giuseppe Verdi! Rigoletto—Tutte le feste al tempio—Duet with Sembrich Giuseppe Verdi! Traviata—Di Provenzail mar (From Fair Provence) Giuseppe Verdi Samson—Honor and Arms_ (Handel) Herbert Witherspoon SAMSON ET DALILA (Weimar, 1877) (Saint-Saéns) (Sam-sohn! ay Dah-lee-lah’ ) (See Victor Book of the Opera) ACT I—pvuBLic sQuUARE IN GAZA, PALESTINE Arrétez, o mes fréres (Pause, My Brothers) Jn French Figli miei v’arrestate (Pause, My Brothers) Jn Italian Der Fruhling erwachte (Delila’s Song of Spring) Jn German Schumann-Heink Printemps qui commence (Delila’s Song of Spring) French Gerville-Réache ACT JI—peELILa’s DWELLING IN VALLEY OF SORECK Amour viens aider (Love, Lend Me Thy Might) Jn French Louise Homer Mein Herz (My Heart at Thy Sweet Voice) In G Schumann-Heink ‘erman Mon coeurs s ouvre a ta voix (My Heart at Thy Voice) French Gerville-Réache Mon coeur (My Heart at Thy Sweet Voice) Jn French Louise Homer My Heart at Thy Voice English Baker and Manon—Laughing Song—Helena My Heart at Thy Sweet Voice Cornet Rinaldi and Farewell to Forest-Brass Qt ACT Ill. scene I—A PRISON. SCENE II—TEMPLE OF DAGON Chorus and Bachanal and Minuet from 2d Symphony (Haydn) MISCELLANEOUS SAMSON RECORDS Selection—Pryor’s Band and Romeo and Juliet Selection—Pryor’s Band SANGIORGI, REMO, Tenor—See “ jee from “Messe Solennelle” (Gounod) Trinity Choir| Coronation (‘‘All Hail’’) and Doxology Trinity Choir Sandmannchen (The Little Sandman) (Becker) German Farrar-Homer Sands of the Desert—See “Till the Sands of the Desert” San Francisco Bound (Irving Berlin) Peerless Quartet| My Turkish Opal (Gillespie-Williams) Peerless Quartet { SANKEY, IRA D. (1840-1908), Hymns by—See “Hymns” {SansSouci (ValseIntermezzo) (VonBlon) Victor Concert 4} \. Heart’s Ease (Serenade) (Macbeth) Victor Concert Orchestra Santa Lucia (Neapolitan Folk Song) In English Reed act The Watch on the Rhine In English Reinald Werrenrath Santa Lucia (Neapolitan Folk Song) Carlos F Prenat Dormi pure—Romanza_ (Scuderi) Carlos Francisco Santiago Waltz (Corbin) Dance Orchestra paras Waltz (Corbin) Guitar and Bandurrias Estudiantina Rows Ernani"’ and “ Trovatore”™ Turkish Patrol, The (Michaelis) Xylophone William H. Reitz San Toy—Gems from (Jones) Victor Light Opera Co “ The Feast in Pynka Pong "’—‘* The Mandarin’ ares Samee Gamee”’ —‘*Pynka Pong’’—‘‘Rhoda and Her Pagoda’’—‘‘ Emperor’s Own" Saper vorreste—See ‘‘ Masked Ball” Sapho—O ma lyre immortelle (Oh My Immortal Lyre) (Gounod) In French Jeanne Gerville-Réache Sardinia March (Gabetti) Sousa’s Beet { (Neyer) 7th Regiment (Gray Jackets) March Sousa’s Band{| Charles Dalmores| Nicola Zerola| Banda Real which he is NSSooooo0 oossosss 62660|10| .75 35234/12/1.25 35110}12|1.25 87506) 10/3.00 17367\|10) .75 17169|10) .75 16882/10| .75 62595/10| .75 31251|12/1.00 16562|10| .75 31778)/12/1.00 88166 12|3.00 17162 10| .75