Visual Education (Jan 1923-Dec 1924)

220 VISUAL EDUCATION July, 1924 Do You, Too, Want Extra Spending Money VISUAL EDUCATION, Pictured Life for Howe, School and Community, o f f e r s a means of adding to your income through work that is not only pleasant, but highly profitable as well. If you have a few hours to devote to it, you will be surprised at the amount of money you can make by cooperating with us to build up our family of readers. While VISUAL EDUCATION has stood as the leader in this great educational movement, it is now broadening its sphere of influence by creating departments of interest for the Home and Community as indicated by its new sub-title Pictured Life for Home, School and Community. Its editorial value and general character of articles are of such varied and timely interest that it is no exaggeration to say that the magazine "sells itself." All it needs is an introduction. Hundreds of people in all parts of the country are availing themselves of the opportunity to make extra spending money by acting as our Special Representatives. Clip the Coupon and learn full particulars of this offer. Pictured Life for Home, School and Community 327 So. La Salle St., Chicago. VE6-24 I am interested in your proposition to make additional spending money. Please send full particulars by return mail. Name Address City State as long a series of almost superhuman efforts and proofs of bravery. He cheers us on with his well-registered presence of mind and determination to win. The story is a melodrama based on the old human theme of regeneration by love. Played excellently by the entire cast, it has a strong appeal. Jacqueline Logan as the faithful girl who sticks to her beloved through thick and thin, is admirable. George Fawcett, as the admiral, Percy Marmont, Maurice Flynn, Luke Cosgrave and Lillian Leighton, all deserve favorable mention. Released by Paramount. THE PERFECT FLAPPER Colleen Moore seems to give new and more startling proofs of her talent in each succeeding picture. In this particular one she is transformed from a very old-fashioned and demure girl, raised by a maiden aunt, into a most outrageous but irresistible flapper ; all because she believes that this is the kind of girl men like. Since she is very much in love with a young man, she pursues him with all the ultra-flapperism and excentricity she can command. She achieves a great deal, even to the extent of sitting on the roof of a house that is being moved and falling through the chimney into the drawing room in the most effective make up of ballroom dress and soot distributed generously all over her small person. Then she makes the astonishing discovery that the girl a man "likes" is again very different from the girl he "likes to marry." Isn't it dreadfully difficult to be a girl nowadays with so many demands? The would-be flapper is outraged. And the young man? Oh, he loves her and hates her at the same time because of her flapperism. Oh, how he hates her! He shakes her very vehemently as he makes this extraordinary confession and reduces her to hysterics. But in the end the maiden aunt explains things satisfactorily and it all ends well . . . with a nice kiss for which Colleen Moore wipes the rouge off her lips and, with it, all the assumed flapperism which she "just loathes." Miss Moore is very ably assisted by the entire cast, including Frank Mayo, who plays her lover, and Sydney Chaplin who is inexpressibly comic in the role of a devoted, downtrodden and somewhat dense husband. It is an excellent picture and good fun. Released by First National. "Magnolia" vs. "The Fighting Coward" At last there is an instance where the screen version of a play is thought superior to the original drama. This was the case with Booth Tarkington's stage play "Magnolia" filmed under the name of "The Fighting Coward," by Famous-Players-Lasky which was unanimously pronounced by the Natchez public as very "real and true" and much better than the play. The Natch,ez people, one should add, ought to be authoritative, for the story, which deals with a typical small town on the Mississippi, was filmed in Natchez. Comparison Mr. Heinsheimer: "Ah, yes, my vife is versed in the culinary art." Mr. Stein : "Ach, nein ! Mine iss py far de worst!" Grasping "Jennings is close, isn't he?" "Close ! Why, Jennings is so close that when they pass the collection box at church he puts in a pants button and takes out two shirt buttons in change." OSTEOPATHIC MAGAZINE June Issue Features OSTEOPATHY AS A PROFESSION Place of Osteopathy in the Professional World Call of the Camp How About Choosing Your Life Work Minnesota, the Vacation Land Diet for the Adolescent Osteopathy Stands the Test Epilepsy Choosing Osteopathy as a Career Consider the Foot Write for free sample copy Dept. V. K. AMERICAN OSTEOPATHIC ASSOCIATION 400 South State Street Chicago