What shocked the censors! (1933)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

What Shocked the Censors G "I will come to you in a few minutes." Eliminate views of Roger sensually contemplating bed. Eliminate views of girl's clothing thrown on chair. "I'll get an opener, sir." Eliminate view of girl in suit of armor at door — Roger's surprised look. "The can opener, sir." As Roger contemplates the girl in armor, eliminate views of Terry betting on Roger's sensuous success — coins dropping on tray. REEL 5. — Eliminate entire episode of can opener and suit of armor. This includes all views of girl in armor in Roger's bedroom, blowing out candles, turning down covers of bed — scene where Terry tries to open coat of mail on figure with can opener and breaks opener — all views of Roger in his bedroom when he thinks girl is in bed. "/ should have known you wouldn't leave me." Eliminate all scenes of Roger throwing pieces of armor on floor, and all noise of armor being thrown on floor — Roger registering resentment at not finding the lady in bed. "Always believe a man ivhen he says that he loves you and then pretty soon you'll be in business for yourself." "Women are Roger Craig's candy and he's had too much." "And I'm going to see that he gets it before he gets any more candy." REEL 8. — Eliminate view of bedroom in hotel with man's and girl's night clothes arranged on bed. COIFFEUR POUR DAMES NOVEMBER, 1932 REEL 2. — "It would be so easy. I live in the house just opposite, and tonight I am free. Madame is going out." "A real field for manouvers, what?" "Sheets of pink silk. Oh, if you could see Madame naked in them." "All I ever look at in a woman is her head. Is she kept?" REEL 3. — "Yes, he is, Madame. I recognize his chauffeur. Monsieur must be coming up the stairs, and as he has the key. . . ." Eliminate entire episode of Mario in unclothed condition in the boudoir of Edmonde (10). This includes view of Mario stooping behind chair, all views of him running around the room in an endeavor to find his clothes, and views of Edmonde pushing him out on balcony. Also views of Mario on the balcony and the following dialogue: "Sh!" "What is the matter?" "Sh!" "No, no. I won't, I won't!" "Be quiet! Be quiet!" "Give me my jacket and my hat at any rate. I shall freeze." "Wait! That's Louvet!" REEL 4. — "Oh dear, dear. And I'm so dizzy." Eliminate view of Mario asleep on the balcony and all succeeding views of him (8) awakening, doing gymnastics — views of Edmonde in nightgown opening window, Mario entering, and all views of him in her boudoir in the morning and accompanying dialogue: "Mario, are you still there?" 26