We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
What Shocked the Censors E-F
REEL 1. — Eliminate views of gun held by bandit on Count inside of carriage (2).
Eliminate view of bandit taking money from Count.
REEL 2. — Eliminate views of bandit holding gun in back of Count forcing him to mislead soldiers (2).
REEL 3. — Eliminate view of Dick Turpin taking money bag from Count and accompanying dialogue:
"Permit me, sir. Oh, a purse! And well filled."
"Courtier, I? God forbid. But can't one praise your beauty as it should be . . . Face the wall, quick! All of you! At the slightest movement, I'll fire."
EL EMBRUJO DE SAVILLA SEPTEMBER, 1932
REEL 7. — Eliminate view of purse, which has been taken from Paco's pocket, in hand of villain.
EMMA JANUARY, 1932
REEL 8. — Eliminate scene where sex of child is exposed.
EMPLOYEE'S ENTRANCE JANUARY, 1933
REEL 6. — In scene where Anderson enters room where Madeline is asleep on bed, drunk, cut to Anderson in hall before he reaches to open door of room.
REEL 7. — Eliminate italicised words: "Why you've changed your mind about me, haven't you? / was all right for you the first night I met you, wasn't IP I tv as all right for you the night of the party, wasn't I? . . . etc."
ESCAPADE MAY, 1932
REEL 5. — Eliminate, "In your hat."
EXPOSED SEPTEMBER, 1932
REEL 2. — In scene of Rosso with gun, eliminate smoke coming from barrel of gun. (Killing policeman.)
FASCINATION APRIL, 1932
REEL 3. — "He collects old masters and young mistresses." Eliminate fade out scene of embrace between Gwenda and Maitland. REEL 5. — "You're my husband's mistress."
FAITHLESS NOVEMBER, 1932
REEL 4. — "I've got a wretched headache. Must I pretend? Or else . . "
REEL 5. — In episode where Blainey picks Carol up in his arms and carries her to adjoining room (apparently a bedroom), eliminate scene where he closes door.
Eliminate scene where Blainey winks significantly at Carol after dialogue: "It'll be like a honeymoon, baby."
"... Mr. Smart Guy. And this apartment happens to be my apartment, if you know what I mean."
34