What shocked the censors! (1933)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

What Shocked the Censors L "Hm — merci, and how soon do you return to me?" "Four times in three months you have run away. In three, four, or five days, you write me you cannot, just cannot be without me — how soon this time?" REEL 2. — "Not now! Tomorrow, maybe. We will have one day to talk, and one night to tell you how much I love you." "Tomorrow, perhaps, you cannot leave me like this. You belong to me, and to nobody else. I love you! I adore you! You will never leave me, my Letty, not tomorrow, nor tomorrow, nor tomorrow." Eliminate accompanying action of fade-out of scene of embrace on the couch. REEL 6. — ". . . but letters which speak of long, lonely nights." Eliminate close view of bottle in cabinet labeled "Poison". "You won't need these again tonight!' "We will discuss these things at breakfast time." "You're making a laughing stock of me — when I ivake you are gone — next time you leave me it will be when I say so." LETTY LYNTON MAY, 1932 DISREGARD ELIMINATIONS ON "LETTY LYNTON" WHICH APPEARED IN THE APRIL 1-30 BULLETIN. THE FOLLOWING ARE THE FINAL AND CORRECT ELIMINATIONS: REEL 1. — Eliminate view of Emile in Letty's room with key of door in hand. "Hm — merci, and how soon do you return to me?" "Four times in three months you have run away. In three, four, or five days, you write me you cannot, just cannot be without me. How soon this time?" REEL 2. — "Not now! Tomorrow, maybe. We will have one day to tai^, and one night to tell how much I love you." REEL 6. — ". . . but letters which speak of long, lonely nights." Eliminate close view of bottle in cabinet labeled "Poison." "You won't need these again tonight." "You're making a laughing stock of me — when I wake you are gone — next time you leave me it will be when I say so." LE MYSTERE DE LA VILLA ROSE JANUARY, 1932 REEL 7. — Eliminate all views of muzzle of gun held close to face of Made, who is gagged and held forcibly by man (5). LIEBESABENTEUER AUF HAWAII JANUARY, 1933 REEL 2. — Eliminate view of label on bottle marked, "Veronal". REEL 7. — Eliminate all views of Taha where her breasts are displayed (4) . REEL 8. — Eliminate all views of women shaking naked breasts in dance REEL 9. — Eliminate all views of women shaking naked breasts in dance (3). LIFE BEGINS AUGUST, 1932 Eliminate close and distinct views of gas mask over patient's face (2). 51