What shocked the censors! (1933)

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What Shocked the Censors R "I can't. Come on, we'll be in and out of the place and home in an hour." Reduce to flash of three feet close view of man's hand on dial of safe. Reduce to flash of three feet interior view of man at safe. (This does not eliminate view of man and girl in room as watchman is discovered at door.) (This allows second view of man opening safe as burglar alarm is sounded.) Eliminate accompanying dialogue: "Were all okay... I cut the wires. There isn't a chance of anything going wrong." "Hurry then, I'm nervous. Make it snappy and let's get out of here quick." "Okay, Baby." "The watchman — next stop is on the floor above — we'll be gone by that time." "Sure you cut the wires?" "Sure." "Got it!" "Oh, good!" REEL 2. — "What do you mean, no luck? // was all laid out for you. Atl you had to do was cut the wires." "I did — but I cut the wrong ones — the alarm went off — we beat it." "After all my training, my teaching, you cut the wrong wires. Smart boy! It's a wonder you weren't caught." "... through with me. Why perhaps the next job . . ." REEL 3. — "Get out of town — lay low — take Judy's advice — go straight for a while." REEL 5. — "It's all we need I tell you — this one job. We won't have to worry again — we can get out — you can take Judy with you." "Oh, but they won't." "Yes you will. You'll go with me. It's the eaisest job we've ever had in front of us. Judy's the key to Henderson's safe." REEL 6.— "I've got it." RED AND WHITE DECEMBER, 1932 REEL 1. — Eliminate "Aim steady. Hit the bull's eye." — and eliminate all views (2) of officer giving order to fire on peasants, and all scenes of execution (3). REEL 4. — Eliminate view of man crossing himself in scoffing manner. RED DUST NOVEMBER, 1932 REEL 1. — "You have to, in my line." "Not with that alley cat yodeling out there. Guess I'm not used to sleeping nights anyway." REEL 2. — "What? Oh, I'm forgetting the expenses, huh." "Oh, please don't. This wasn't like that." "Here you are, kid. That isn't half enough, but when I get down to Saigon, there'll be more." SUBSTITUTIONS OF TITLES FOR ABOVE: "Oh, here." "Ah, no." 68