We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
What Shocked the Censors S
STOKER, THE JULY, 1932
REEL 8. — Eliminate view of cutting telephone wires.
STOWAWAY APRIL, 1932
REEL 1. — "I'm the guy that love's 'em and leaves 'em." "Dance with your feet." "A little dancin' — a lot of lovin' ." "Any old fort in a storm." "Not too old, Big Boy."
REEL 2. — "But the name is Peggy — not Gracie." (Man soliciting girl leaving dance hall.)
Eliminate view of man as he joins girl and walks along by her side.
STRANGE CASE OF CLARA DEANE APRIL, 1932
REEL 3. — Eliminate italicised words: "Stick 'em up — keep 'em up. Go on, get over there."
STRANGE INTERLUDE OCTOBER, 1932
REEL 4. — Eliminate italicised words: ". . . I can do, is there? When it isn't his fault, poor boy. (aside) — Oh my baby — my poor baby that I cannot have. I feel you beating against my heart for mercy."
STRANGE LOVE OF MOLLY LOUVAINE MA Y, 1932
REEL 1. — Eliminate all sounds of girl crying off scene, and views of her coming from behind shrubbery with boy.
"There's nothing to be afraid of. Please, darling, don't cry."
"I won't. I'm not afraid. I love you so much."
REEL 2. — "This'll make you forget everything."
"Yeah — everything."
Eliminate view of man and woman in car and accompanying dialogue: "1 hate this town, ladies and gentlemen, it's funny."
". . . away from here — away from you. I wanted to get out of here before you got back tonight. I can't stand it any longer — living like this. I can't and I won't."
REEL 4. — ". . . but remember, Nick and 1 have been living together for three years."
REEL 6. — "Ah, how long will it last? Till the first traveling salesman."
"Oh, it's the walk of a tramp. You heard me. The walk of a tramp."
"You want me for yourself."
"And I suppose I couldn't have you?"
"No, but you want me all right."
"Oh, I do, do I? Well, you're wrong. But it wouldn't be so hard if I did, would it?"
STRICTLY PERSONAL MARCH, 1933
REEL 4.— "Oh, I fixed that for Thursday." "Is she young?"
11