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What Shocked the Censors S
"Sixteen."
"Remember now, we have to be home before morning." "We've got home work to do too, but we get around." REEL 5. — In scene of woman with man coming from Summer house arranging hair, eliminate dialogue: "Nine years was a long time, darling." REEL 6. — "So that's how I stand after five years. Say listen, sucker." Eliminate all views of Mac actually choking Mrs. Castleton, pushing her down, all views on couch where he takes jewels from dead woman, and dialogue: "Come on, gimme those rocks, I want 'em and I want 'em now." "Come on, snap out of it. Unload that ice."
STUERME DER LIEDENSCHAFT MARCH, 1932
REEL 2. — ". . . and through our cellars we are getting directly at the safety vaults."
"Yes, and I'm asking you how you are going to get in."
"Well, Gustav, here is our alley, K, and here is capital S, — that is the steel vault of the bank."
"So you want to get in from down below."
"Righto. We worked through the base and have arrived at the concrete, but I always said, 'Don't go in without Gustav'."
"Yes, Gustav, because you want to get in from above, through the air shaft."
"Yes, and while I am at the last layer of concrete, all of a sudden it starts."
REEL 3. — "All right, now listen, boys. You've got to come in from above along the electric light wiring because there's no alarm. But you need at least six more weeks. I guarantee you that."
". . . well, with the Deposit Bank. You know, Gustav, don't act dumb."
Eliminate all views (11) of men in cellar of ice cream store with drills and other tools trying to break an opening into steel vault of the Deposit Bank. This leaves in this sequence, views of men trapped in cellar and views of Gustav using tools and powder to release them.
"Sh\ Not so loud Gustav. Everything is smooth. Those two are at the last layer of concrete."
REEL 6. — Eliminate "Du hure du." — and accompanying view of Anja and Gustav in last lustful embrace."
REEL 9. — "But Gustav! But Duschinka! You know very well I've had only one, and you've killed him."
SWEEPINGS MARCH, 1933
REEL 6. — Eliminate view of Freddie putting his hand on open neck of Mamie's dress and running hand down, and fadeout embrace and kiss, and accompanying dialogue: "Don't."
"Why not? You may never be like this again, fust — like — this."
Eliminate scene where Freddie turns ring on finger to resemble wedding ring.
REEL 7. — Eliminate view of money and check as Freddie's father gives same to Mamie. (Paying girl for violation by his son, Freddie.)
Eliminate: "Yve ruined an innocent girl — correct?"
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