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What Shocked the Censors U-V
UNASHAMED— JULY, 1932
REEL 3. — Eliminate view of registration of unmarried boy and girl, registering at hotel as Mr. and Mrs. Harry Swift. (This entire view should be eliminated from a point previous to where the boy picks up the pen to the end of that scene.)
Eliminate italicised words: "I hated to go away like this, they'll worry about me. / don't know what they'll think."
"But don't you see, darling, that's part of the plan. I want them to worry about you for a little. Think how glad they'll be to see us when we come back in the morning."
UNE PETITE FEMME DANS LE TRAIN NOVEMBER,
1932
REfECTED IN TOTO.
UNWRITTEN LAW— DECEMBER, 1932
REEL 2. — Eliminate italicised words: ". . . for a man whose specialties are kept women and unkept promises. . . ." "I'll get Ruth over your dead body." "Not over mine — over yours." n There's a man who's a hound with women."
VANISHING FRONTIER— JULY, 1932
REEL 1. — Eliminate close views (3) of Hatton where gun is held on paymaster, and accompanying dialogue: "Get the paws up. Reach 'em high." (This leaves in this sequence some medium close views.)
VANITY STREET OCTOBER, 1932
REEL 4. — "Well, I might like to at that. Is friend husband out of town again?"
REEL 5. — Eliminate distinct view of Val taking envelope of money from safe in Fern's apartment.
REEL 6. — "I'd be doing you a favor to bump you off. You've served your purpose with me and now you're done for, — all washed up — finished."
VIRGINS OF BALI DECEMBER, 1932
REEL 1. — Eliminate all views of naked girls in bathing in stream (4). REEL 2. — Eliminate all views of child where sex is displayed (3). REEL 3. — Eliminate all views of child and all views of children where sex is visible (4).
Eliminate view of baby nursing at mother's breast. REEL 4. — Eliminate view of boy where sex is displayed.
VIRTUE OCTOBER, 1932
REEL 1. — "Why don't you get out? You are young and pretty." tfDid you ever try it. You've been around a long time." ''Since I was 17."
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