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What Shocked the Censors W
"It isn't luck. It's hard work. You can make a bargain with life, but once you've made it, stick to it."
"Yeah? You must have grabbed that from a book. You don't have to give me any lectures on life's bargains."
"I didn't bring you here to lecture. Take off the jacket."
"Gee, that's worth a lot of money, if it's real. A tenth of that would pay my passage back to America."
"What do you want to do over there?"
"Quit this racket. Make a decent living. It ought to be easy to find a fob in the States."
"Why don't you go? It only costs a few pounds."
"Sorry, old deah, my stocks just went down — depression, you know. Unless big-hearted pearl trader wants to help li'l Norma in distress."
"Eh?"
"fust a loan. I'll be on the square."
"Why do you pick me?"
"A good word carries you a long way but a little cash buys a ticket. And once over there I'll work, drudge, slave to pay you back. It'll all be so different— and maybe some day — "
"Maybe some day, what?"
"Some day I might meet a man who'll understand — who'll let me forget — and marry me in spite of all this. And I'll make him a good wife — / will."
"So you're already thinking of marriage and want me to pay your fare. You've got a lot of nerve. Put your things on the bench and not on the table."
REEL 4. — Eliminate prolonged views of man being tortured in "yoke".
WHEN A MAN RIDES ALONE JANUARY, 1933
REEL 1. — Eliminate view of man with gun crawling up on back of stage and views of man on top of stage, and dialogue:
"Throw off the gold shipment from the Cottonwood mine."
Eliminate view of man on stage throwing off gold box.
REEL 2. — Eliminate view of man holding up stage, and dialogue:
"Throw off the gold box."
Eliminate view of man shooting lock from gold box and taking out gold bags.
WHEN STRANGERS MARRY— MARCH, 1933
REEL 4. — Eliminate close and distinct views of Rand holding magnifying glass close to feet of unruly native. (Glass concentrates sun's rays and burns native's feet.)
REEL 5. — Eliminate: "/ could find what I need in your line in any port."
REEL 6. — Eliminate views of native holding magnifying glass close to Rand's eyes.
REEL 7. — Eliminate all views but one of native holding magnifying glass over Rand's eyes.
WHILE PARIS SLEEPS MAY, 1932
REEL 3. — Eliminate view of girl on street nodding significantly towards house in invitation to Costaud.
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