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What Shocked the Censors W-Y
"Now father, please. Don't start on poor Clive. / didn't mind, and he'd never have done it without a lot of encouragement." "But he could never get you out of his mind — the dishonor and all that."
"But if you'd only heard him! He was perfectly sweet about it. If it comes to telling tales this seductive business is going to be worse for Clive than the coffee stall incident."
WOMAN COMMANDS JANUARY, 1932
REEL 4. — Eliminate all views of bed in King's apartment and view of King leading Maria toward bed.
REEL 5. — Eliminate ". . . and too had, also, that he has the habit of changing his mistresses every night."
Eliminate italicised words: "How do you expect me to talk /; the procession of women I escort out of there under like circumstances?"
WOMAN IN ROOM 13 MA Y, 1932
REEL 2. — Eliminate all sounds of yawn.
Eliminate view of Sari stretching and yawning on elevation leading to bedroom ,and accompanying dialogue: "Hello Sweet."
"Hello darling. I thought you were asleep."
Eliminate close view of Sari leaning on railing and accompanying dialogue: "Hello, sweetheart."
WOMAN'S WORLD JANUARY, 1933
REEL 3— Eliminate all full length views of pregnant women in meeting
(2).
REEL 5. — Eliminate all views of pregnant woman. This includes all scenes where she takes woman's hand and holds it on her stomach (9), and dialogue: "Feel him kicking?"
Eliminate view of pregnant woman staggering and clutching at her stomach as she leaves telephone.
Eliminate all views of woman writhing in agony, in labor pains (3).
WORLD AND THE FLESH APRIL, 1932
REEL 4. — Eliminate close views (3) of guard's face as Kylenko chokes him with chain from handcuffs wrapped around his neck, killing guard. (This leaves two flashes of man's face).
WYOMING WHIRLWIND JULY, 1932
REEL 3. — Eliminate indecent action of lips indication: "Son of a bitch", after man is knocked down.
YOUNG BLOOD SEPTEMBER, 1932
REEL 2. — Eliminate all views of Nick actually dividing money (stolen in hold up) among members of his gang, including sheriff, and accompanying dialogue: "There you are, Blackie. There's your split, Ed — Hank. And sheriff, here's yours."
REEL 3. — Eliminate italicised word: "Aw — you son . . . "
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