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Mary Pickford Happens Along ioi
would be beautifully arrayed in the brown-silk-and-velvet. But what could be done for Mary? She had no clothes fit for the wealthy little aristocrat she was to portray and there was nothing in the meager stock wardrobe for her. "Oh, she's so pretty," I said to my husband, "can't we dress her up ? She'll just be darling in the right kind of clothes." So he parted with twenty dollars from the cash register and trusted me to dispose of it at Best's — then on Twenty-third Street — for a proper wardrobe. Off I went on my joyful errand, and brought back to the studio a smart pale blue linen frock, blue silk stockings to match, and nifty patent leather pumps. What a dainty little miss she looked, her fluffy curls a-bobbing, when she had donned the new pretties !
During the dreary waits between scenes, there being no private dressing-rooms, actors would be falling all over each other, and they could find seclusion only by digging themselves in behind old and unused scenery. Owen Moore was especially apt in hiding himself. He had an unfriendly way of disappearing. None of the herd instinct in him. At times we had quite a job locating him. Cruising along the back drop of a Coney Island Police Court, or perhaps a section of the Chinese wall, we'd innocently stumble upon him. But we didn't need to hunt him the day that Mary Pickford was all dressed up in Best & Company's best. That day he never left the camera stand, and his face was all one generous Irish smile. (How little we know when our troubles are going to begin!)
Following "The Lonely Villa" came "The Way of Man" and then a series of comedies in which Mary was teamed with Billy Quirk, "Sweet and Twenty," "They Would Elope," "His Wife's Visitors."