Who's who in the film world (1914)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

©OBERT HARKOX. Born in New York City, April 12, 1894. At the age of fourteen he left school and went to work as errand boy at the Biograph Studios in New York, at a salary of three dollars a week. Today he is one of the stars of the Griffith feature films and considered one of the foremost actors in motion pictures. Harron, soon after taking up his duties as errand boy, would now and then be called upon to play the part of a messenger boy or office boy, whenever one was needed in a picture. D. W. Griffith, who was then director of the Biograph Company, observed the natural dramatic powers possessed by his errand boy and he immediately began training Harron to make the most of his talents. Under Griffith's able instructions Harron made wonderful strides in the art of silent drama and in the course of a short time he was considered one of the foremost interpreters of strong emotional characters. Harron excels in the "natural" manner in which he interprets the roles of the various characters he is called upon to portray. He first gained distinction as playing the part of an abused boy in Mr. Griffith's heart interest dramas. When Mr. Griffith left the Biograph to become director-in-chief for the Reliance and Majestic Companies in the Mutual Film Corporation, he engaged Herron for his big feature productions. £ Ninety-seven