Wid's Filmdom (1920)

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————k mo (ia ee DAILY Sunday, January 11, 1920 Norma Talmadge’s Name is Enough to Draw the Crowds Box Office Analysis for the Exhibitor Norma Talmadge in “SHE LOVES AND LIES” Select—Selznick Norma Talmadge’s position in stardom is undis puted and the mere showing of her name theater suffices to draw the crowds. title, “She Loves and Lies.” ever, the title is somewhat misleading. an entertainment of a substantially dramatic order which the body of the picture fails to give. above a It will draw here too, certainly when it is coupled with the splendid At the same time, howIt suggests It would be diplomatic therefore to mention the fact that this picture is a comedy and tell the people to come and see that Miss Talmadge is every bit as good him in the billing. tion and bring people to the box office. Tearle is a popular leading man, particularly among the women, so it might be a good idea to mention in a comedy role as she is in a heavy dramatic one. Catch lines written around the central situation of the story in a light style will also serve to attract atten Conway J. D. JENNINGS Now Associated With FRANK LLOYD Photographing PAULINE FREDERICKS Goldwyn West Coast Studios ROY H. KLAFFKI Now Photographing MONROE SALISBURY Current Release “His Divorced Wife” DAL CLAWSON Now Photographing LOIS WEBER PRODUCTIONS JOHN ARNOLD Now Photographing “The Willow Tree” With VIOLA DANA DHOTOGRAPHED BY MEMBERS OF American Society of Cinematographers (INCORPORATED) 325-331 MARKHAM BUILDING HOLLYWOOD, 4404 6372 HOLLYWOOD BOULEVARD William C. “Billy” Foster Now Photographing DUSTIN FARNUM Current Release “THE SILVER HORDE” L. GUY WILKY With WILLIAM C. DeMILLE Current Release “The Tree of Life” WILLIAM E. FILDEW Now Photographing “The Virgin of Stamboul” Current Release “Bonnie Bonnie Lassie” PAUL P. PERRY Now Photographing GEORGE H. MELFORD Current Release “Everywoman” HOLLYWOOD, CAL. HENRY CRONJAGER Photographing for MARSHALL NEILAN “The Rivers End” CHARLES ROSHER Now Photographing MARY PICKFORD “Pollyana” E. G. PALMER Now Photographing George Loane Tucker Specials All CINEMATOGRAPHERS Read WID’S DAILY