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Every Season is a Good Season — for Good Pictures !
A ND here are the pictures which will make the season 1921-22 the greatest season you ever had in your life. You don’t have to worry about business when you show these. Look them over!
September
“The Bride’s Play,” with MARION DAVIES. Cosmopolitan production. By Donn Byrne. Directed by George Terwilliger. Scenario by Mildred Considine. A romance of modern Irish life, lavishly aes
Wallace Reid in “THE HELL DIGGERS,” another Byron Morgan story full of he-man thrills and rugged Sone Directed by Frank Urson. Cast includes Lois Wilson.
Gloria Swanson _ in Elinor Glyn’s “THE GREAT MOMENT,” destined to be one of the greatest productions of this generation. Directed by Sam Wood. Scenario by Monte M. Katterjohn. Betty Compson in “AT THE END OF THE WORLD,” adapted by Adelaide Heilbron from the play by Ernst Klein. Scenario by Edfrid A. Bingham. Directed by Penrhyn Stanlaws. Her first
Paramount,
“Dangerous Lies,” a Paul Powell Production with DAVID POWELL. By E. Phillips Oppenheim. Scenario by Mary O’Connor. A big society drama produced by a great American director.
“The Golem,” the stupendous sensation which has broken all records at the Criterion Theatre, New York, in the hottest summer on record.
Cecil B. DeMille’s production “THE AFFAIRS OF ANATOL,” by Jeanie Macpherson, suggested by Arthur Schnitzler’s play and the paraphrase thereof by Granville Barker. With Wallace Reid, Gloria Swanson, Elliott Dexter, Bebe Daniels, Monte Blue, Wanda Hawley, Theodore Roberts, Agnes Ayres, Theodore Kosloff, Polly Moran, Raymond Hatton and Julia Faye.
October
Elsie Ferguson in “FOOTLIGHTS,” a.John S. Robertson production, by Rita Weiman. Without any question the greatest, most entrancing picture Miss Ferguson has ever had. Photoplay by Josephine Lovett.
Thomas Meighan in “CAPPY RICKS,” from Peter B. Kyne’s-lovable Saturday Evening Post stories, rich in human interest and heart appeal. Photoplay by Albert Shelby LeVino, from the novel by Mr. Kyne and the play by Edward E. Rese. Directed by Tom Forman.
George Melford’s production “THE GREAT IMPERSONATION,” with James Kirkwood. By EK. Phillips Oppenheim. Photoplay by Monte M. Katterjohn.
Roscoe (Fatty) Arbuckle in “GASOLINE GUS,” from the Saturday Evening Post stories by George Pattulo. Directed by James Cruze. Scenario by Walter Woods.
George Fitzmaurice’s production “EXPERIENCE,” with Richard Barthelmess. By George V. Hobart. Photoplay by Waldemar Young. The play that broke records everywhere.
“Enchantment,” with MARION DAVIES. Cosmopolitan Production. By Frank R. Adams, directed by Robert G. Vignola. Scenario by Luther Reed. Cast includes Forrest Stanley.
William de Mille’s production “AFTER THE SHOW,” by Rita Weiman. With Jack Holt, Lila Lee and Charles Ogle. Photoplay by Hazel McDonald and Vianna Knowlton.
Ethel Clayton in William D. Taylor’s production “BEYOND,” by Henry Arthur Jones. Scenario
by Julia Crawford Ivers. A new story by the prominent English dramatist.
Show free pictures to keep the pictures free! Motion Picture Day August 25th, 1921
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