Wid's year book (1919)
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When the great 1919-1920 season has become a thing of the past, the history of its won¬ derful success will be bound up in the names of these great directors, stars, artists, authors and stories :
CECIL B. DeMilLE — Mr. DeMille’s first production “Male and Female,” is an adaptation of Sir James Barrie’s play “The Admirable Crichton.” Scenario by Jeanie MacPherson, with a cast including Thomas Meighan, Gloria Swanson, Theodore Roberts, Lila Lee, Raymond Hatton, Bebe Daniels, Mildred Reardon, Mayme Kelso, Robert Caine, Wesley Barry, Edward Burns, Julia Faye and others.
Thomas H. Inch — The first Thomas H. Ince productions of the 1919-1920 season in¬ clude :
Enid Bennett in “Stepping Out” by C. Gardner Sullivan; “What Every Woman 'Learns” by Eugene B.
Lewis.
Dorothy Dalton in “L’Apache” by C. Gardner Sulli¬ van; “The Market of Souls” by John Lynch; “His Wif’e Friend” by J. B. Harris Burland.
SPECIAL PRODUCERS
Maurice Tourneur — The first Tourneur production is
Charles Ray in “The Egg Crate Wallop” and “Crooked Straight” both by Julien Josephson.
Douglas MacLean and Doris May in. “Twenty-Three and a Half Hours Leave” by Mary Roberts Rinehart; “What’s Your Husband Doing” by George V. Hobart; “Mary’s Ankle” by May Watson Tully.
Fatty Arbuckle — His first Paramount-Artcraft feature comedies are “Back Stage” and “The Hayseed.”
Sydney Chaplin— Mr. Chaplin produced part of his first Sydney Chaplin comedy in France.
Dorothy Gish— The New Art Film Company will re¬ lease the first new Dorothy Gish production in the fall.
Mack Sennett— The first new season Paramount-Mack Senn'ett comedy is “Uncle Tom Without the Cabin.”
STAR PRODUCTIONS (Alphabetically Arranged)
“The Life Line,” an adaptation of a famous English melodrama with the usual de-luxe Tourneur production.
George Loane Tucker — “The Miracle Man” presented by Mayflower Photoplay Corporation.
Cosmopolitan— “The Cinema Murder” by E. Phillips Oppenheim; “The Restless Sex” by Robert W. Chambers.
“A Girl Named Mary” by Juliet Wilbor Tompkins, starring Marguerite Clark.
“All of a Sudden Peggy” by Ernest Denny, starring Marguerite Clark.
“Capt. Dieppe” by Anthony Hope, starring Robert Warwick.
“Eliza Comes to Stay” by Henry B. Esmond, star¬ ring Marguerite Clark.
“Hawthorne of the U. S. A.” starring Wallace Reid.
“His Official Fiancee” by Bertha Ruck, starring Vivian Martin.
“In Mizzoura” by Augustus Thomas, directed by Hugh Ford, starring Robert Warwick.
“It Pays to Advertise” by Roi Cooper Megrue and Walter Hackett, starring Byrant Washburn.
“Luck in Pawn” by Marvin Taylor, starring Mar¬ guerite Clark.
“Miss Hobbs” by Jerome K. Jerome, starring Ethel Clayton.
“Mother” by Kathleen Norris, starring Ethel Clayton.
“Sadie Love” by Avery Hopwood, starring Billie Burke.
“Sick-a-Bed” by Ethel Watts Mumford, starring Bryant Washburn.
“Speed Carr” by J. Stewart Woodhouse, starring Wallace Reid.
“The Black Bag” by Louis Joseph Vance, starring Wallace Reid.
“The Copperhead” by Augustus Thomas, sta/rring Lionel Barrymore.
FEATURE PRODUCTIONS
“Everywoman” by Walter Browne, directed by George Melford, with Violet Heming and all-star cast.
“Huckleberry Finn” by Mark Twain, directed by William D. Taylor.
“The Grim Game” by Arthur Reeve and John Gray, starring Houdini.
“Counterfeit” by Robert Baker, directed by George Fitzmaurice, starring Elsie Ferguson.
“The Fear Market” by Amelie Rives, starring Ethel Clayton.
“More Deadly Than the Male” by Joseph Gollomb, starring Ethel Clayton.
“The Lottery Man” by Rida Johnson Young, star¬ ring Wallace Reid.
“The Misleading Widow” by F. Tennyson Jesse and H. M. Harwood, starring Bille Burke.
“The Third Kiss” by Heliodore Tenno, starring Vivian Martin.
“The Invisible Bond” by Sophie Kerr, starring Irene Castle.
“The Thirteenth Commandment” by Rupert Hughes, starring Ethel Clayton.
“The Valley of the Giants” by Peter B. Kyne, star¬ ring Wallace Reid.
“The Witness for the Defense” by A. E. W. Mason, directed by George Fitzmaurice, starring Elsie Fergu¬ son.
“The Young Mrs. Winthrop” by Bronson Howard, starring Ethel Clayton.
“Told in the Hills” by Marah Ellis Ryan, directed by George Melford, starring Robert Warwick.
“Too Much Johnson” by William Gillette, starring Bryant Washburn.
“Why Smith Left Home” by George Broadhurst, star¬ ring Bryant Washburn.
“Widow by Proxy” by Catherine Chisholm Cushing, starring Marguerite Clark.
“The Sea Wolf” by Jack London, directed by George Melford.
“The Teeth of the Tiger” by Maurice LeBlanc, featur¬ ing David Powell and Marguerite Courtot.
Short subjects — Paramount-Briggs Comedies; Para¬ mount Magazine; Paramount-Burton Holmes Travel Pic¬ tures; Paramount-Post Nature-Pictures; Paramount Tra¬ vel Comedies; Burlingham Scenics, Ernest Truex Come¬ dies, A1 St. John Comedies, Mr. and Mrs. Carter De Haven Comedies.
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