We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Scoema Film . 7 Rue de Amboise, Paris
Jules Verne Film . 23 Rue Michodiere, Paris
Vitagraph Co . 15 Rue Ste-Cecile, Paris
Societe des Films . “Le Theatre,” 27 Rue Druot
Georges Mendel.. 10 bis, Blvd. Bonne, Nouvelle, Paris
Mazo . 33 Boulevard St. Martin, Paris
Films Natura . 38 Rue des Mathurins, Paris
Societe Securtias . 33 Rue de Provence, Paris
Societe General Eclipse, 23 Rue de la Michodiere, Paris G. Melies . 16 Passage de la Opera, Paris
French Exchanges
PARIS —
Itala Film . 3 Rue Beregere
Foucher and Joanott.,,.31 Boulevard Bonne, Nouvelle
Jacoppozzi . 44 Rue de Bundy
Raoult Film Location . 19 Rue Beregere
Societe Royal Vio . 31 Rue St. Beregere
S. A. M. Films . 10 Rue S. Lazarre
Western Import Co . 83 bis Rue Lafayette
J. Haik . 83 bis Rue Lafayette
Photodrama Co. of Chicago . 55 Rue St. Lazarre
Agence General Cinematographique. . 16 Rue Grange Bata Here.
Translantic Co . 26 Rue Feydeau
L. Aubert . Ave. de la Republique
Harry . 61 Rue de Chibrol
Aveline and Delalande. . . . 104 Faorbourg, Poisonierre
Ideal Cinema . 61 Faubourg, St. Denis
C. Halley . 19 bis Rue Richer
Central Film Service . 51 bis Rue Sainte Anne
Adam and Cie . . . 11 Rue Baudin
R. Navarre . 44 Rue Taitbout
Van Goitsenhoven . ...10 Rue de Chateaudun
Union Cinematographique de France. .34 Rie Charles, Baudlaire.
Urban Trading Co . 23 Ruede la Michodiere
P. Burgi . 42 Rue d'enghien
Pathe Freres . 30 Boulevard des Italiens
L. Gaumont . 28 Rue des Aoulettes
L. Sutto . 9 Place de la Bourse
Pictures in Spain
Although the war shut off a large part of the supply of the Spanish motion picture theaters business re¬ mained satisfactory, though good films were not ob¬ tainable. A number of new film houses have been built since the close of the war. Madrid, Barcelona, Valencia, Seville, Jere Bilbao and San Sebastine, all have many beautiful theaters and are considered important picture centers. The Italian, French and Danish films are accorded a hearty reception by Spaniards. Among the American films shown are Paramount, World, Vitagraph and Fox. The Chaplin pictures are also shown.
Ruiz Margarit, a Spanish writer, mentions Mary Pickford, Marguerite Clark, Fanny Ward, Clara Kim¬ ball Young, Bessie Barriscale, Mabel Normand, Geral¬ dine Farrar, Douglas Fairbanks, Wallace Reid, Eddie Polo, as being popular in Spain.
The fact that the different film companies do not work together in Spain as they should is responsible for a loss in money frequently. If there were more unity in their operations all would benefit. There is an absolute absence of commercial unity.
Where one firm owns more than one hall in Spain and is booking for four or five they are only charged the price of one.
Censorship considered as a whole in Spain is very tolerant. Because of the fact that there has been a large amount of money lost in Spain there are few producing companies there.
Spanish Producers
BARCELONA —
Abot Films . Aaragon, 249
Barciongrafo . S. A. Dipucation, 280 id.
Condal Film . Arguelles, 482 (Diagonal)
Elaber Films . Carret ra de sana, 77
Falce Films . Calle de la Industria, 202
Hispanoa Films . Craywinckel, 20
Segge Films . S. A. Consego Ciento, 294
Studio Films . . . S. A. Universidad 13
Dessy Films ; Momo Films ; Lotos Films. MADRID —
Patria Films; Cervantes Films.
Trade in Italy
Italian films, after having established great prestige in this country with such notable productions as ‘‘The Last Days of Pompei,” “Quo Vadis,” “Julius Caesar,” “Anthony and Cleopatra” and the “Siege of Carthage” and many other big productions, have declined since the beginning of the war due to the fact that the Italian studios have been taken over for war purposes and Red Cross activities.
Now that peace has been declared the Italians are once more entering the film producing field with even greater enthusiasm. Several firms have signified their intention of filming great British and American books and the result should prove interesting. There is considerable exchange today between the Italian firms and the British manufacturers. Universal will ex¬ change with Italian producers for distribution in this country.
Italian Producers
MILAN —
Milano Films . Bovisa
Cinem Darama . 5 Via S. Dalmazio
Raggio Film . 1 Via Solferino
Armenia Films . 34 Via Boccaccio
Mercurio Film . 1 Via Romagnosi
Luca Comerio . 4 ia Serbelloni
Silentium Film . . . 8 Via Sylvio, Pellico
TURIN —
Itala Film . Ponte Trombetta
Ambrosio Flim . 56 Via Mantova
Savoia Films . 18 Via Astia
Pasqualli Film . i . 75 Corso Stipinigi
Azienda Tecnica Cinegrafica Carlucci . 18 Via Asti
I. N. C. I. T . 39 Via Quittengo
Delta Film . 336 Via Balangegro
Cleo Film . 5 Via Tiziano
Jupiter Film . 3 ia Belfiore
Italica Film . 43 Via Nizza
Gladiator Film . 8 Via S. Enselmo
Latina Ars . 29 Via Roma
ItalaEgizianno Film . 52 bis Via Canova
Rodolfi Film . 14 Corso Vercelli
Fabreges Film . Seal A. G. Galleria Nazionale
ROME —
Cines . . .51 Via Macerata
Celio Film . Giardino Zoologico
Palatino Film . 8 Piazza, SS. Giovanna, e Paoli
Tiber Film . 11 Piazza, Venezia
Caesar Films . 47 Esedra, de Terimni
Medusa Films . 3 Lungo Teverre, Castello
Flegrea Film . Via Appia Nuova
Tespi Film . 36 Via Palermo
Floreal Film . 104 Via Agostino Depretis
Pecorni and Co . . 109 Via Sistina