World Film and Television Progress (1938)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

facts like these tip the balance in favour of CINEKODAK FILM FOR SUB-STANDARD CINEMATOGRAPHY It is scientifically demonstrable that Cine-Kodak reversal development, by which the photographic negative is chemically reversed to a positive, produces greater fineness of grain in the final positive and therefore finer screen quality. All Cine-Kodak Film receives reversal processing. During the processing of black-and-white Cine-Kodak Film, those deviations from the theoretically correct exposure which are always liable to occur, even in the best regulated shootings, are automatically compensated for by an exclusive Kodak photo-electric device. Quality and evenness of density are maintained by this controlled processing, even in cases of exposure error which would otherwise altogether mar the quality of the result. The cost of processing (and return postage from the laboratory) is included in the price of Cine-Kodak Film, and a network of Kodak processing stations exists to provide this unique finishing service in practically every country in the world. 16 mm. and " Eight," black-and-white and colour, silent and sound, every phase of sub-standard operation is covered by the Cine-Kodak Film range. 16 MM. CINE-KODAK PANCHROMATIC FILM. Standard for outdoor cinematography. Very fine grain, fully colour sensitive. Speed 240. CINE-KODAK SUPER SENSITIVE PANCHROMATIC FILM. Lightning speed. Indispensable for shooting in artificial light and weak daylight. Speed 27°. "KODACHROME" FILM. The remarkable colour film without grain. Requires no filters on camera or projector. Regular for daylight, Type A specially colour balanced for 'Photoflood' light. Speed 220. SOUND RECORDING. Single perforation. Available in three emulsions : Panchromatic, " Kodachrome " and "Kodachrome" Type A. * EIGHT* CINE-KODAK EIGHT PANCHROMATIC FILM. A superfine-grain film, 16 mm. wide, bearing a double row of images, returned as 8 mm. wide after processing. Speed 22°. "KODACHROME EIGHT FILM. With the same full colour characteristics as 16 mm. " Kodachrome." Speed 22 '. KODAK LTD., KODAK HOUSE, KINGSWAY, LONDON, W.C. 2. 44