231. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: , cannot essentially change the dramaturgical structure of a film; it can only sometimes
232. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: them and the human sphere. For the farther away the existence presented in the film is
233. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: an author wants to pour into a film the colours of life which are barred by the
234. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: Usher, The, 180 Felix the Cat, 191-192 Film Eye, 164 Flying Dutchman, 236, 281 Forged Coupon
235. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: features in the film. FADING One of these effects is fading, the darkening of the scene by
236. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: achieved such powerful tension if the whole film had shown such immobility; the effect is
237. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: shot made the object unrecognizable. The film must avoid such riddles. IMPOSSIBLE OUTLINES
238. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: dialogue. When we watch and listen to a film opera, we know that it is an artistic
239. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: American film I saw this dramatic scene: the bride at the altar suddenly runs away from the
240. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: to cut raw nature into a film is a dangerous business. The fanatics of 'naturalness