51. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: . This is the strongest means of characterization the film possesses; and it is not
52. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: and his film of Maupassant's Boule de Suif. Romm made this film as a silent film
53. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: 156 PROBLEMS OF STYLE IN THE FILM sible value of a painting, but
54. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: recognition to the sound film as a new great art. The demand is that the sound film should not
55. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: combinations. The formalists of the 'absolute' film were not interested in contents at all and
56. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: silent abstract film. Its object is the music, the tonal lines of which it depicts with
57. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: bodily limitations. The film guarantees the authenticity of the expressionist distortion
58. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: it is. In a film scene we see only what is happening before our eyes. Why things
59. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: CHAPTER TWENTY-TWO PROBLEMS OF STYLE The form-language of film art, although it
60. Theory of the film : (character and growth of a new art) Date: 1952 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 15, 2025 Excerpt: we adapt novels and plays for the film; sometimes because we think their stories 'filmic
