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- Date:
- May 1975
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- Date Added:
- May 03, 2025
- Excerpt:
- i,
es i 4 FPR
iawinenonc oo eT t ) Profile
The Wiley year
By Michael Shain
y the end
of 1974
- Date:
- 1995
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- Date Added:
- July 20, 2022
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- San Francisco Cinematheque feminist contexts in the early seventies and is still widely seen. Wiley
- Date:
- 1992
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- Date Added:
- July 20, 2022
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- relationships, the layers of memory. Where are the tables for one? —Dorothy Wiley & Gunvor Nelson Before Need
- Date:
- 1995
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- Date Added:
- July 20, 2022
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- (1967), by Robert Nelson & William T. Wiley; 16mm, color, sound, 42 minutes "On a formal level
- Date:
- 1990
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- Date Added:
- July 20, 2022
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- Schmeerguntz (1966); co-maker: Dorothy Wiley Fog Pumas (1967); co-maker: Dorothy Wiley My Name Is Oona (1969
- Date:
- 1992
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- Date Added:
- July 20, 2022
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- filmmaking in 1965 with the release of Schmeerguntz (made with Dorothy Wiley). Her films have been screened
- Date:
- 1984
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- Date Added:
- July 20, 2022
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- Nelson v/ith William Wiley " Bleu Shut 13 a prime example of the participatory film, a form which
- Date:
- 1995
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- Date Added:
- July 20, 2022
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- , Michael 84,92-93 Warhol, Andy 107-108 White, Jacalyn L. 83 Wiley, Dorothy 43 Wiley, William T. 82 Wilkins
- Date:
- 1992
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- Date Added:
- July 20, 2022
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- Wiley; 75 minutes* Frame Line (1983); 22 minutes* Red Shift (1983); 50 minutes* Light Years (1987
- Date:
- 1995
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- Date Added:
- July 20, 2022
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- WILEY IN PERSON Thursday, April 13, 1995 - Center for the Arts This evening's program is the first time
