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- Date:
- December 1974
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- May 23, 2024
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- lime: handling of two similar situations. In Nana, the protaBond st. is) ,3) be eund deliriously dreams
- Date:
- December 1974
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- , 1954).5\ Di 35" 34,
Juan Arpoy, "Abel (\Gance: Sa Vie, Son Oeuvre,"” Cinéa-Ciné pour Tous no. 3 (15
- Date:
- December 1974
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- "All Paris left its dolorous apathy to visit this film"®3) but for many viewers it remained the model
- Date:
- December 1974
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- de fagon magistrale, je l'ai assurée saliepeatin 3
que jamais rien ne contrarierait son indépendence
- Date:
- December 1974
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- 65
3 July, and 20 October). 142 If Dellue had no continuous organization behind these activities
- Date:
- December 1974
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- .
2UColette, "Colette au Cinéma," Le Film no. 116 (3 June 19309 ,8.
21guillaume Apollinaire, "Les Tendances
- Date:
- December 1974
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- blurring past. hs 2 MS
s 2. (cu) Hooves splashing into mud. hs 3. (mls) Low angle: riders' shadows move
- Date:
- December 1974
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- '! marking), the pattern of the sequence becomes even clearer. Set 3 is a i itaemancicat of
set 2, in a
- Date:
- December 1974
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- , 1963), 2-3.
160studio 28, Revue-Programme (Paris, 1930), Ne a
161366 Cinéa-Ciné pour Tous no. 100 (2
- Date:
- December 1974
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- décomposés dont la
révélation nous é6meut. 3 At an essential level, a photograph reveals a reality which we
