51. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: to the logical conclusion that the members of the abstract-film movement did. Nonetheless, the debate
52. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: theory as a whole Supports this insistence on the primacy of such visual aspects in film. Pierre Porte
53. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: 118 imagination's manipulation of film technique. Another extreme example of the Impressionists
54. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: specificity was extended to an elimination of all materials common to literature or theatre and film. Cinema
55. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: PO SJ Ex Germaine Dulac's definition of an avant-garde film: "tout film dont la technique
56. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: ), 18-19. Anonymous. "Le Scénario." Le Film no. 168 (February 1920 }y Nh. Dp. "Nos Metteurs en Scéne
57. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: emphasizes its recognition of film as a modern art; L'@écran est entré dans nos moeurs. Le ciné rivalise
58. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: -206. : 44steegmuller, oe) ee —ADgee' Colette, "La Critique des Films," Le Film no. 63.(28 May 1917
59. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: hostile 4 tout ce qui n'est pas lui.24. He thus denies the synthetic conception of film by claiming that
60. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: seen in a film, removing it from the material domain Ve occupies and placing it in the vague realm
