71. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: . The Relation of Film to Traditional Arts Impressionist film theory assumes at the outset that film is
72. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: this difference lies in film technique, which not only records material reality but also expresses the
73. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: , first, to be a member of X class a film must have a certain trait (necessary condition), and secondly
74. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: a necessary and sufficient condition for including a film in what trained observers would agree to
75. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: films (occuring in only five films), occurs in no non-Impressionist film examined. Far more central to
76. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: . This is. not to say that the Impressionist style was without influence, since European film-makers in
77. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: occurred a rise in semiindependent film production (most notably under the aegis of Louis Nalpas) which
78. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: . In the film style of the period 1923-1928, La Roue's impact was: even Stronger than it was upon film
79. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: René Clair; “the manifesto of a new generation of film-makers."42 > In Moussinaec's Subsequent chapters
80. French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974) Date: December 1974 Item Details: Details and Download Information Full Page: Read this page in Context Highlighting: Read in Context with Search Highlighted Date Added: May 23, 2024 Excerpt: effects; neither technique had much influence on other film-makers. L'Herbier began to experiment with
