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- December 1974
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- May 23, 2024
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- and L'Homme du Large both utilize gauze-focus to indicate
a character's memory image. In El Dorado
- Date:
- December 1974
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- .
Fescourt, Henri. La Foi et les Montagnes. Paris:
Paul Montel, 1959.
Fescourt, Henri, and Bouquet, Jean
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- December 1974
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- movement. The affinities with the cultural activities discussed in Chapter II and the theoretical
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- December 1974
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- Apollinaire, Guillaume. Selected Writings of Guillaume Apollinaire. Translated and edited by Roger Shattuck
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- December 1974
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- des Cinémas d'Art et d'Essai, 1963.
Milne, Tom. "The Real Avant-Garde." Sight and Sound XXXII (Summer
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- December 1974
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- ), Lumiére (founded 1922), Le Film Frangais (founded 1923), and La Critique Cinématographique (founded 1926
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- December 1974
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- 94
turn and shall conclude with a general evaluation of the
theory. The Nature of Art
Although
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- December 1974
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- creation, as when Canudo praises the expressiveness of American cinema? and Ramain calls art "l'expression
- Date:
- December 1974
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- 150
and Talley, 1968), pp: 105+124, and B. R. Tilghman, The Expression of Emotion in the Visual
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- December 1974
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- a necessary and sufficient condition for including a film in what trained observers would agree to
