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- December 1974
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- --camerawork, mise-en-scéne, editing, sound, and "optical" devices--may be considered as denoting stylistic
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- December 1974
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- film, the seductive mystery of the villa is symbolized in a shot of the guests dancing and a
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- December 1974
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- theory. Even the most sophtetieatae theorists (e.g., Epstein and Canudo) fall back too easily upon the
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- December 1974
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- and visual presentation of it. For example, in one film, 'a’dying woman's vision is conveyed by
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- December 1974
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- symphony's style is one of dark harmonies and abrupt modulations.") In sum, Beardsley points out that critics
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- December 1974
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- ., looking up from a deep position), and tilted angles (i.e., viewing the sth pece from a tilted rather than
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- December 1974
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- photogénie Simultaneously reveals a hidden meaning in material reality and subjectively transforms that
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- December 1974
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- from a sleeping man and moves through a doorway to the main room, where other men eat and drink; in Le
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- December 1974
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- woman in the present recalling her youthful love affair is followed by a shot of her and her lover in
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- December 1974
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- interviews and biofilmography in Revue
du_Cinéma: Image et Son no. 271 (April 1973), 4-64.
PDBu late pi